T
ranslated from Greek, the
word photography means
‘drawing with light’ and
the essence of creating
a photographic image lies with
controlling exactly how much light
reaches the recording medium,
whether it’s a digital imaging
sensor or a frame of fi lm. Logically,
this is called an ‘exposure’
(i.e. the recording medium is
exposed to light) and in any
camera, it’s essentially regulated
by two controls – apertures and
shutter speeds. As explained
in the previous article about
depth-of-fi eld (see our January/
February 2017 issue), the aperture
mechanism – also known as the
diaphragm – is located within a
lens and comprises a set of blades
which move to create openings of
different sizes. This allows more,
or less, light to pass through to
the image sensor, and their sizes
(in other words, the diameter) are
expressed in values called ‘f-stops’.
An f-stop is written as the letter ‘f’
followed by a number... i.e. f4.0.
These numbers are determined by
a simple equation; the focal length
of the lens divided by the diameter
of the aperture. This results in a
numbering sequence which is
the opposite to what would seem
logical... so the larger apertures
have smaller f-numbers and the
smaller apertures have larger
f-numbers.
In practice then, a lens might
have an aperture range from, say,
f2.8 – its very largest or widest
aperture – to f22 – which is its
smallest aperture setting.
As the diaphragm progressively
closes down, each aperture setting
- which represents one f-stop
of adjustment – actually lets in
half the amount of light as the
previous one.
Stops And Speeds
You can think of a ‘stop’ as the
unit which applies to any exposure
adjustment. Shutter speeds are
also adjusted in stops, and the
doubling or halving relationship
between settings again applies.
While the aperture controls the
amount of light coming through
the lens, the shutter regulates how
long the sensor is exposed to it...
i.e. the duration of the exposure.
This is done by opening the shutter
ALL ABOUT EXPOSURE CONTROL
72
BACK TO BASICS
Controlling exposure is a fundamental of photography, but if you leave it
entirely to the camera, you’re missing out on some vital creative possibilities.
Here’s what you need to know to access some powerful pictorial tools.
PART 1
CamMayJune17_072-074 BacktoBasics.indd 72 13/04/2017 12:16 AM