Australian Camera — May-June 2017

(Ron) #1

77


Photograph by Trevern Dawes, copyright 2017.

Presented by

http://www.ilford.com
Ph: (03) 9823 1555
for more information

In PractIce


major concerns with image
noise. A heavy tripod would have
been another solution, but was
not used here because of the
difficulty of the terrain and the
need for wet weather gear.

How It Was Done
After exploring the sand hills and
working with a surface pitted
with raindrops under a dark,
gloomy sky, the clay pan became
the final target for the day. The
surface at the southern end
had a most unusual pattern of
drainage lines. A series of shots
was taken and the following
morning organised for another
inspection when, hopefully,
the lighting might be better.
It started to rain early in the
evening creating the need to
move the vehicle to more stable
ground near the main road.
Back on location at dawn, those
fascinating patterns had gone,
washed away by the rain.

Tricks Of The Trade
Landscapes can be one of the
most demanding and frustrating
realms of photography which is
why obtaining a successful shot
is immensely rewarding. When
a situation looks good, you must
capture it immediately and never
expect to be able to repeat or
improve your coverage the next
day, let alone the next hour.
Although a location like Lake
Everard normally is associated
with dry weather and clear
skies, you cannot always expect
such circumstances. Even in
the most unlikely weather, it
always pays to at least check
out the possibilities and use
seemingly hopeless conditions
to advantage. Just around the
corner or beyond the next sand
hill may lie something special.

magazine when it was launched
back in June 1979. He is still as
passionate about photography
now as he was back then, and
continues to write about many
areas of image-making, and
taking pictures for both books
and magazine articles.

The Equipment
Canon EOS 5D Mark II D-SLR
fitted with the general-purpose
wide-angle EF 17-40mm zoom.
Aperture-priority auto exposure

control at ISO 800 sensitivity,
and manual focusing.

The Technique
Very dull lighting meant that the
usual ISO 200 sensitivity setting
would be too low to give the
desired combination of shooting
with a hand-held shutter speed
and sufficient depth-of-field via
a mid-range aperture of f8.0.
Consequently, the sensitivity was
pushed up to ISO 800, knowing
that this would not cause any

Degree Of Difficulty
(Out of 10)
The adverse weather conditions
initially held little promise of
adding more shots to the Lake
Gairdner collection, yet allowed
some remarkable landscapes
to be captured that ought to be
classified as strictly one-off. Low-
angled sunlight in red sand hills
can produce intense colour and
striking groove patterns created
by the wind, but in totally
different conditions landscapes
can still be found – as if to
suggest – you must never be
discouraged. A striking landscape
to warrant a maximum rating.

Can You Try This At
Home?
The prospect for pleasant
photographic surprises on the
home front may well be limited,
but there will always be times
and situations when some great
shots can be organised. Be ready
to respond and make the most of
the opportunities.

CamMayJune17_076-077 Lightwork.indd 77 13/04/2017 12:16 AM

Free download pdf