Rolling Stone Australia — July 2017

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July, 2017 RollingStoneAus.com | Rolling Stone | 15

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ince harley-davidson opened
shop in 1903, the brand has grown
fromasimplemanufacturerofadis-
tinctive motorbike into something
iconic (some would say spiritual). The bikes
will be forever linked to Seventies counter-
culture through films likeEasy Riderand
its Steppenwolf track “Born to Be Wild”,
butasVicePresidentoftheHa
ley-Davidson Museum, Bill Da-
vidson,explains,thecoolreal-
lystartedwiththeKing,Elvis
Presley.“WehaveElvis’s
SportsterondisplayinourMil-
waukee museum. At the time,
he was not that well known. He
hadtotakealoanouttobuyth
Sportster. Shortly after he took the
loanouthereleased‘HeartbreakHotel’and
he just skyrocketed. After that he could have
bought a thousand Sportsters and paid cash
for them.”
Davidson, who is the great grandson of
Harley-Davidson co-founder William A.
Davidson,madethetripDownUnderlast
monthtotakepartina2,500kmcharityride
tocelebrate100yearsofHarleyinAustralia.

Throughout the years, Davidson has seen the
brand weave in and out of popular culture,
but he thinks it’s the feeling of freedom and
rebellion that keeps anchoring rock & roll to
Harley-Davidson. “Our brand has always had
a little bit of rebel in it. People over the years
have seen Harley as a way to pursue their
dreams and feel that personal freedom: ‘I
t to take my suit off and put on a
lack leather jacket and just go for
a ride and enjoy nature and all the
elements surrounding me.’”
Iconic images of Marlon Bran-
do sitting astride his Hog in The
Wild One can’t have hurt the
rand’s rebel association either,
ving the way for Harley’s centre-
stage role in shows like Sons of Anar-
chy. Davidson says that Harley-Davidson
owners are no longer just grey-haired bikies,
though. “People like Larry Mullen from U2,
Jay Leno, Neil Diamond [are all fans]. When
you’re a celebrity, everyone wants a piece of
you. I think these guys feel freedom when
they’re on a bike. They can be themselves and
really enjoy the open road and have some
free time.” MATT COYTE

100 Years of Rebellion


Down Under


Harley-DavidsonMuseumVPBill Davidson looks
back on the bike’s mythical place in pop culture

BORN WILD
Dennis Hopper,
Peter Fonda and
Jack Nicholson in
Easy Rider

Known for their warm,
gentle take on indie folk, Husky
(Husky Gawenda and cousin
Gideon Preiss) have packed
away the acoustic guitars
and pulled out the keyboards
for synth-heavy, Seventies-
inspired space-pop album
Punchbuzz. “I think in the
past we considered ourselves
a folk band, and perhaps we
restricted ourselves a little bit
to fi t that description,” says
Gawenda. “With this record
we didn’t worry too much
about that and found a kind of
freedom. We allowed ourselves
to explore things without wor-
rying [about] the results.”
Conceived during a year
spent in Berlin (“A crazy,
dark, long, twisted, hedonistic
dream”) and largely written
and recorded in Melbourne
throughout 2016, Gawenda
is unconcerned that the
change in direction will scare
off long-time fans. “Funda-
mentally we’ve remained the
same band, and people who
know us will fi nd a lot about
this album familiar,” he says.
“Our fundamental objective is
always going to be the same –
and that’s to write great songs
and deliver them as eff ectively
and magically as possible...
to move people, and to move
ourselves.” JAMES JENNINGS

Husky’s


Space-Pop


Melbourne duo leave
folk behind on LP three

Gawenda
and Preiss

Davidson

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