Australian Wood Review – June 2017

(Steven Felgate) #1
http://www.woodreview.com.au 93

concept of imperfect objects, which facilitate a stronger
emotional connection’.


In the process of wood casting the defects of the wood – its
cracks, wounds and scars, as well as its process of burning –
become positive and desirable.


Hilla Shamia’s wood casting furniture has been exhibited
internationally and widely featured in design magazines
and social media. She operates an independent design
studio in Tel Aviv and also works with glass to produce
sculptures and light fixtures.


For more information see http://www.hillashamia.com


Main: Hilla Shamia watches on as her team
undertake the wood casting process.
Above and below left: Furniture by Hilla
Shamia made from cypress cast in aluminium.
Below: Pendulum clock in oak.

FEATURE
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