HAvEn | THE nEW liTERACy 165
wrote a summary. The difference is that in a synthesis, your gist should be
a succinct statement that brings into focus not the central idea of one text
but the relationship among different ideas in multiple texts.
To help you grasp strategies of writing a synthesis, read the follow-
ing essays by journalists Cynthia Haven and Josh Keller, which, like Clive
Thompson’s essay, deal with the effects of new media on the quality of stu-
dents’ writing. We have annotated the Haven and Keller readings not only
to comment on their ideas but also to connect their ideas with those of
Thompson. Annotating your texts in this manner is a useful first step in
writing a synthesis.
Following the Haven and Keller selections, we explain how annotat-
ing contributes to writing a synthesis. Then we show how you can use a
worksheet to organize your thinking when you are formulating a gist of
your synthesis. Finally, we present our own synthesis based on the texts of
Thompson, Haven, and Keller.
T
oday’s kids don’t just write for grades anymore
They write to shake the world.
Moreover, they are writing more than any previous
generation, ever, in history. They navigate in a bewil-
dering new arena where writers and their audiences
have merged.
Begins with claims
in the first two
paragraphs for our
consideration.
1
2
The New Literacy: stanford study Finds Richness
and Complexity in students’ Writing
Cynthia Haven has written for The Times Literary Supplement, The Vir-
ginia Quarterly Review, The Washington Post, The Los Angeles Times, The
San Francisco Chronicle, World Literature Today, and other publications.
Her work has also appeared in Le Monde, La Repubblica, The Kenyon
Review, Quarterly Conversation, The Georgia Review, Civilization, and
others. She has been a Milena Jesenská Journalism Fellow with the
Institut für die Wissenschaften vom Menschen in Vienna. Peter Dale in
Conversation with Cynthia Haven was published in London, 2005. Her
Czestaw Mitosz: Conversations was published in 2006; Joseph Brodsky:
Conversations in 2003; and An Invisible Rope: Portraits of Czeslaw Milosz
was published in 2011 with Ohio university Press/Swallow Press. She is
currently a visiting scholar at Stanford, working on a book about rené
Girard.
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