Australian How To Paint — Issue 23 2017

(Ron) #1
DEMONSTRATION

ARTIST’S HINTS AND TIPS


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  • they reflect the sky. They’re also
    fluid and transparent. Looking into an
    animal’s eye is a bit like looking into
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    colour – they are layers of different
    colours and often have flecks of
    colours such as amber, gold or green.
    To achieve this layering, I paint the
    eyes as a series of glazes, making sure
    each layer is completely dry before
    applying the next.
    If the pet you are painting is being
    depicted in bright light, the eyes
    will have significant catch lights
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    There are two types of catch lights

  • primary and secondary. Generally
    the secondary catch light will be
    darker and less well defined than the
    primary. If the lighting is low, there
    may only be a secondary catch light,
    but regardless of how low the lighting
    is, there will always be some form of
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    I’ll often dab the wet paint gently
    with a cotton tip when painting in the
    secondary catch lights to give them
    extra transparency.
    You can see that Sandy has both
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    distinctive very pale blue (almost
    pure white) primary ones. If the
    animal is looking up, there will be
    more sky reflected in the eyes than
    an animal looking straight ahead
    or looking down.Animal eyes will


almost always have a brow shadow.
Again, this is rendered by use of a dark
glaze, which is applied last of all.
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of the most important aspects of a
successful pet portrait is selecting
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from. Reference photos need to be
a clear and accurate representation
of the animal’s character. I have
millions of photos of Sandy, but I
chose this particular one because
of the beautiful serene look on
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background. Sometimes clients are
very definite about which picture
they want painted, but, if given a
choice of several, I’ll always go
for the one that has an interesting
pose, expression or lighting.
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to paint, but by rendering the hairs
that are light affected, as different
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brown hairs into the mix, you will
achieve a realistic effect.
Similarly, do not paint white
animals with white paint. Depending
on whether the animal’s skin is
pink or black, and the amount
of light shining on the animal,
their hair can be rendered as
shades of yellow, grey or blue,
with only the brightest highlights
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is the one my college art teacher
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Never assume that something is a
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whatever look the way they do.
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are the same colour or shape (even
if they are the same breed). The
whites of an eye (if showing) are
not truly white. A great way to
truly ‘see’something is to turn your
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will help eliminate all preconceived
ideas of how things look.

Hazel is proud to be represented
by Huon Art gallery, 9 Wilmot
Street, Huonville, Tasmania.
She is happy to accept
both wildlife and pet portrait
commissions.

Contact details:
Ph: 0408 690 890
Email: [email protected]
Web: http://www.hazelhowieart.com
Facebook: Hazel Howie Artn

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