American History – June 2019

(John Hannent) #1
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small perfume bottle dyed green and labeled Belle Haleine, Eau De Voi-


lette—“Beautiful Breath, Veil Water”—by iconoclastic artist Marcel Duchamp sold


at auction at Christie’s in 2009 for $11,489,968. The title Duchamp gave this enig-


matic objet is believed to allude to Belle Da Costa Greene, an imperious figure


who ran J.P. Morgan’s library, a few steps down Madison Avenue from the financier’s former Manhattan


residence. Fresh off the boat from France in 1915, Duchamp had needed money; a mutual acquaintance


put him onto Greene, who in her capacity as Morgan’s librarian hired the new arrival as a translator.


Greene let Duchamp go after six weeks, a period during which Greene doubtless irked and intrigued the


artist, as she did so many others. The bottle originally held a Rigaud brand perfume, Un air embaumé,


and was made of peach-colored glass. Duchamp dyed the container green, perhaps an allusion to the


Belle Da Costa Greene story as well as a play on her family name. Aficionados (see “Decoding Duchamp,”


p. 57) argue that in creating the work Duchamp was encoding references to his temporary patroness. The


artist used the piece as an element on the cover of the only issue of the modernist magazine New York


DADA, produced in collaboration with the versatile, innovative American artist Man Ray in 1921. He did


not display the work until 1965, 15 years after Greene died.


Duchamp was among a circle of artists and scholars acquainted with the green-eyed Greene, who for her


time lived the fast life. She dressed and behaved flamboyantly—drinking and smoking, traveling solo,


enjoying numerous suitors, and conducting an affair with a married man. Greene had entered Morgan’s


orbit in 1905 through the banker’s nephew, Junius Morgan, an acquaintance from her job. Greene and the


younger Morgan, both bibliophiles, worked at the Princeton University Library in New Jersey. Introduced


50 AMERICAN HISTORY


Passing


Fancy


Belle Da Costa Greene, a black


activist’s daughter, reinvented herself


on the other side of the color line


By Sarah Richardson


A

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