Comic Artist - Volume 3 2016

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F


ive years ago, I was a brat who
was overconfident about my
art skills. I drew the same four
poses over and over again, but
since I drew them well, it just
fed my ego! Then I met one of my heroes,
who was kind enough not to throw my
sketchbook away, but harsh enough to let
me know that I didn’t know how to draw.
“Your drawings have no life. You need to

feel what you are drawing. Your back
needs to ache if you’re drawing someone
bending over,” he said. Honestly, I didn’t
understand a thing. But it did set me off
on a hunt to understand what he meant.
Three years later, after having regularly
sketched every day, I got the first glimpse
of what he was getting at. While drawing
a girl sinking into her sofa, I realised I was
sinking myself, to feel the pose.

This wasn’t my only experience,
though: there were numerous more that
shaped my observation. Each of them
opened me up to a world of possibilities.
Through this workshop, I would like to
share my ideas in the hope that they could
give you that little push to explore the
world for yourself. My aim is to help you
personalise the worlds that you create
through your art.

Somnath Pal
LOCATION: India

Somnath is
an Indian
independent
artist, with
a masters
degree in animation and
film design from IDC, IIT
Bombay. He illustrates,
draws comics, works on
films and drinks lots of
decent filter coffee!
http://ifxm.ag/som-p

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BEYOND REALITY
One of the exercises
that I often do during my
observational drawing
sessions is stir things up
for myself, just to turn the
excitement dial a notch or
two higher. I experiment
with my drawings and go
beyond the reality of the
moment. Sometimes

I exaggerate the tension
in the figure to levels that
are not achievable by the
human body, or push the
existing scenario into a
different world of physical
laws. Purists might contest
that this isn’t observational
drawing – and perhaps
they’re right – but I’m
certainly having fun!

Artist insight


Workshops


WAYS TO WATCH


THE WORLD...


Somnath Pal talks about learning through observation and empathy,


to create art that’s emotionally engaging and has a strong personal voice

Free download pdf