In depth | Film storyboards
15
LIGHT AND SHADE
Lighting plays a fundamental part in
composition of shots. It helps distinguish
depth, and we can play action out in hard
shadow or pools of light, in silhouette or
broad sunlight. Would the scene benefit
from an air of mystery, or are there any
theatrical devices or set pieces that give us
an excuse for an interesting lighting setup?
16
DANCING WITH THE ACTION
Drawing action is difficult. Knowing where to put the camera to cover
the kicks, hits and explosions comes with practice. Think of it in terms of a
dance: the camera moving in rhythm to the fight, jumping between punches,
cutting from impact to reaction. Use wider shots for coverage, closer shots to
show impacts and convey the brutality and pain. The same action will often be
covered by several cameras from different positions, which reduces the number
of times it may be necessary to repeat the stunt and gives the director multiple
views to cut between in the edit. This needs to be reflected in your storyboards.17
CONVEY MOVEMENT
The different marks you make give a greater
sense of movement and texture within the frame.
Speed lines make the car appear to be moving. Lift it
clear of the road and suddenly it’s travelling at speed.
Blur the background and now we’re rocking!18
SERVE THE STORY...
All these different elements help with the telling
of the story. When combined effectively they guide the
viewer through the scene – playing, teasing, informing,
sometimes tricking but always helping the director to
manipulate the audience and tell the story to maximum
effect. Yes, it’s fun being a pencil monkey!PRO SECRETS
BODY TALK
Practise anatomy and
perspective, because
without them your
boards will be flat and
lifeless. If you can
draw the human form
with a decent degree
of realism, then you
can draw anything.