A_P_TPC_Vol11_2015_

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FORGE A SCIFI COMPOSITE FROM PHOTOS


FROM PHOTO BASE TO
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Progress 3: Make adjustments

WORK IN
PROGRESS

Progress 2: Start to add buildings

Progress 1: Prepare the backdrop
for the cityscape

EDIT AND COMBINE ORDINARY STOCK PHOTOS TO CREATE A
COMPOSITE ILLUSTRATION THAT’S OUT OF THIS WORLD

FORGE A SCIFI


COMPOSITE


FROM PHOTOS


S


ci-fi cityscapes are often towering
metropolises packed with futuristic
architecture, and you may wonder how
to even get started with illustrating one.
This tutorial demonstrates how photos of
everyday buildings, environments and structures
can be used to create a futuristic city in Photoshop.
Start by assembling a portfolio of images.
We’ve linked to images from iStock throughout
this tutorial, but there are lots of free stock sites

SET THE BASIS FOR THE SCENE
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like Pixabay, Free Images and Unsplash that are
perfect for sourcing cityscape photos. Try to
make sure that all of the photos you choose are
lit from the same direction, or choose photos that
you can flip, rotate or warp to make sure that the
light’s in the right place. Lighting is what makes
or breaks a composite.
Once you’ve assembled the requisite pieces, use
masking, adjustment layers and other tricks to
unify them into one futuristic cityscape image.

01


SET UP THE SCENE
Create a new document, with a background
colour of #7bc7ee. At full size this illustration is 235mm
x 302mm and 300dpi – on some machines you may
prefer to work smaller. This will help with processing,
and also enable you to use medium resolution comp
images. You can download from sites like iStock and
use these non-commercially.

03


ADD THE DESERT BACKGROUND
Find a picture of a desert for the
background (iStock 11662814). Scale (Edit>
Transform>Scale) and place the horizon just below
the centre of the page, so that the viewer will have a
slightly elevated position – above the streets but
below the towers. This will also help the viewer read
across the action. Go to Layer>Layer Mask> Reveal
All. Press D on your keyboard to select the colour
black, and use the Gradient tool to fade the top of the
photo to the blue of the canvas.

02


INSERT THE SKY
Find a picture of a blue but brooding sky
(iStock 10830462) for the top of the image. With the
Gradient tool, mask up this time, then give the mask
a more curved look by airbrushing out with black,
and back in with white. This is best achieved with a
Soft Round brush, with Shape Dynamics switched
off, and Hardness at 0%. Keep Flow low, at around
1%, and certainly no more than 10.

JOE ROBERTS
JoeRoberts.co.uk
@Joe_R_Roberts

OUR EXPERT


Joe Roberts is a digital artist based in
London, with 20 years experience,
specialising in book covers and game art.
Free download pdf