A_P_TPC_Vol11_2015_

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25 MATTE PAINTING TIPS



  1. PUT YOURSELF IN
    THE RIGHT LIGHT
    When big productions are hiring matte painters,
    they’re looking for great artists certainly, but
    they’re also looking for team players. “A good
    matte painter would be able to see where things
    are off,” says Christian Kugler (www.
    matteartist.com). “[They should also know] how
    long it would take to fix things, and know how to
    navigate their way around situations that really
    push limits. In terms of technical and artistic
    foundations I look for someone who knows
    whatever software they use to the best of their
    ability. They should know shortcuts or hotkeys,
    how to find the horizon and set up perspective,
    know their black levels, work as non-
    destructively as possible, know how to set up
    their computer for the best workflow possible,
    know how to find good useable reference and
    source images for their work, and have a good
    attitude to go along with it all.
    “Being open to critique and knowing how to
    navigate through difficult shots certainly helps, as
    well as having a really good sense of knowing when
    things look right. It is also super important to know
    when to ask for help, as well as to pick up on other
    techniques and ideas that can help further you
    along. Observation is super important as well,
    seeing how light interacts with each surface and
    knowing how to balance your work out to really
    make the right first impression. An individual only
    has a few seconds for something to register so if
    the shot does not work right off the bat, then
    chances are there is something off. Learning how to
    create super awesome masks is essential as well.”


© USA Network

Push yourself: For Müller, every project is challenging in one way or another. “I love challenges,” he
says, “Everyone wants to grow and learn to become better [and] faster... Without challenges that is not
possible. The most significant parts of my career were always connected to projects I was afraid to take
because I was not sure if I was capable of them. But I never regretted taking projects that were too big
or too complex. It always pushes me beyond my current limits.”


© Tomáš Müller

Finding your niche: “I was always big fan of movies and from my childhood it was pretty
obvious that I was going to end up in some creative field, says Müller. “I was always drawing
and painting something somewhere... During my studies in high school I found out what
matte painting is and I was immediately blown away by nature of this technique. It was
something that connected my two favourite things... Movies and art. At that time I was
mainly interested in old matte painting masters such as Albert Whitlock.”
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