Advanced_Photoshop_141_-_2015_UK_

(Ben Green) #1

ACHIEVE REALISM IN COMPOSITES TECHNIQUES


LEARN HOW TO CREATE AN IMPOSSIBLE SCENE AND USE


PHOTOSHOP TECHNIQUES TO MAKE IT BELIEVABLE


ACHIEVE REALISM


IN COMPOSITES


I


n this tutorial you will learn how to squeeze an
elephant into a glass bottle. For this we will
explore many aspects of Photoshop, such as
the Warp tool, blend modes, filters, masks,
lighting concepts and photomanipulation. To do this
successfully you will need to develop not only your
technical knowledge, but also your imagination.
It is important to continually stretch your
creativity and think outside of the box – or in this
case the bottle – which is why we are going to
cram an elephant into it. With practice you’ll see
that creating this type of image is a fun challenge

BUILD THE BACKGROUND
START BY SETTING THE FOUNDATIONS OF YOUR PIECE

that will help you to better understand the tools that
Photoshop offers and experiment with new and
creative ways of using them.
One of the coolest things in Photoshop is the
possibility to make endless combinations with the
tools. The sky is the limit! There is no right or wrong,
what matters is the final result, so let’s learn how to
make combinations that will help you to create an
unexpected, but realistic image. You will see that
creating a complex composite is not easy and
requires a lot of work, but hopefully at the end you
will see that all your hard work was worth it.

01


BEGIN WITH THE GREEN BACKGROUND
First, create a new document (File>
New) at 24x31cm and 300dpi. Fill the layer with
green (#0a3710). This first tip is very important
for the final result: when the image is ready to be
printed you must use the Proof Color tool (Cmd/
Ctrl+Y). It allows you to work in RGB and see
how your image will look in CMYK.

02


ADD BACKGROUND LIGHTING
Make a new layer and draw a white circle,
apply a Gaussian Blur (Filter>Blur>Gaussian Blur),
Radius 670px. Make sure the layer is set to Overlay.
To stop it looking too obvious, apply the Noise filter
(Filter>Noise>Add Noise) set to 30%. After that,
duplicate the same layer and put it in Soft Light.

03


CREATE BACKGROUND SHADOWS
As we want to make a dark atmosphere,
let’s create some shadows. For this you have to
create two different layers and, using the Pen tool,
make two green shapes (#243c26), one at the top
and other at the base of the image. Then apply a
Gaussian Blur of 670px and put it in the Soft Light
blend mode on both layers.

FROM BACKGROUND
TO THE ELEPHANT

WORK IN
PROGRESS

Progress 1: Creating
the background

Progress 2: Elephant in a bottle

Progress 3: The final image

RODRIGO MARINELLI
rodrigo_marinelli.prosite.com

OUR EXPERT


Rodrigo Marinelli is a 31-year-old art
director. His main focus is image
manipulation, but he is interested in
everything that is related to creativity.

Head to shutterstock.com to source
the files used in this tutorial, or you
can find your own if you prefer.

SOURCE FILES

Free download pdf