12
ADD IN HIGHLIGHTS
The next step is to add light highlights.
Highlighting will add that extra depth and interest.
Create a new layer for highlighting. Using the Flat
Charcoal brush with a light or white colour, lightly
draw in highlighted areas. In this piece it is focused
on her face, to strengthen the look of her gaze and to
make her face a larger point of interest. Just like the
previous step, create a new layer mask and subtract
some of the highlights away to your liking.
11
SUBTRACT SHADOWS
Masks are great for subtracting shading.
They are safer than erasing and can be used with
special brush effects unlike the Eraser tool. Now to
clean up the shading done in the previous step.
Create a layer mask on your shading layer. Using a
smaller width Flat Charcoal brush, lightly mask out
the areas with too much shading and darkness. If it
takes a bit of trial and error, the mask can be added
to again without losing the shading that has already
been done. Also keep the lighting source in mind.
13
CREATE THE TATTOO
Now to take a step away from creating a
pencil sketch look to creating a washed inky tattoo
look. Create a new layer on top of all of the previous
layers. Select the third brush, the Free Inky brush,
and a contrasting colour (in this piece of art we used
a deep teal and red). Create a tattoo design that is
very loose and clean. For inspiration, think of how
free a sumi-e painting is in its brushstrokes. Place
each different tattoo colour in its own layer.
10
ADD IN SHADOWS
Now to add some depth so it looks like the art
has been shaded with pencil or charcoal. Create a new
layer under your sketch layer and using the Flat
Charcoal brush at a large width, block in some areas
for shading. A good place to focus would be on the
roots, tips and folds of her hair and the folds of her
clothes. Make the shading loose and flat, as you don’t
want to over-detail an area. This would be a good time
to reference light sources for the shadows if needed.
09
SKETCH AND CROSS HATCH
Now, the art will require mostly free drawing and masking. Create a new layer for small details. Using
the Small Sketch brush, add in some extra shading or hatching lines to the pre-shaded areas of her face, hair and
clothing. Make them light and subtle to make the pre-shaded area look more naturally pencil shaded.
ADD DIMENSION WITH
SHADING TECHNIQUES
USE BASIC SHADING AND BRUSHES TO SIMULATE GRAPHITE
001 FINISHING THE HAIR
The main strands of hair have been finished. For added realism insert in a
few wayward strands to add more feelings of whimsy
002 FIXING THE
ORIGINAL SHADINGThe original greyscale shading from the
photograph has been cleaned up around her hair roots to blend in with the strands
003 HATCHING LINES
AND NEW SHADINGA few randomised sketch lines have
bewith a bit of newly added shadingen added to the shaded areas, along
001
003
002
It is also helpful to reference
how hair flows and moves in
wind and water to simulate
smooth lines and transition