Self and Soul A Defense of Ideals
168 Ideals in the Modern World In Plutarch’s account of Coriolanus, he is beloved by his mo ther and loving. But Shakespeare tak ...
Shakespeare and the Early Modern Self 169 Shakespeare becomes something less than a god, paring his nails above his creation. He ...
170 Ideals in the Modern World the worst that one can half- plausibly say about a given individual is the most central truth. As ...
Shakespeare and the Early Modern Self 171 is superior to Achilles in the contention that matters most here in this play— the exc ...
172 Ideals in the Modern World checks, without the sense that they are really no diff erent from other men and women. No one who ...
Shakespeare and the Early Modern Self 173 have sexual issues like Macbeth’s; they may be compensating for being dominated by the ...
174 Ideals in the Modern World with Antonio’s bitter anti- Semitism. “I never knew so young a body with so old a head” is a line ...
Shakespeare and the Early Modern Self 175 For who would bear the whips and scorns of time, The o’pressor’s wrong, the proud man’ ...
176 Ideals in the Modern World Shakespeare clearly detests chivalry and condemns it almost out- right. For the Platonic ideal, t ...
Shakespeare and the Early Modern Self 177 Shakespeare’s Joan of Arc often comes off as a half- mad witch. The clergymen who try ...
178 Ideals in the Modern World possess true faith. But, Tolstoy accurately says, no religious vision irradiates the plays, eithe ...
Shakespeare and the Early Modern Self 179 compelled to send to another planet or some faraway people a literary work to let them ...
180 Ideals in the Modern World Hamlet is the great exception. He is often a true thinker, brooding in terms that would have impr ...
Shakespeare and the Early Modern Self 181 Caesar laughs at him. Caesar has no interest in personal courage or personal honor, th ...
182 Ideals in the Modern World Hal tells us from the tavern at Eastcheape, “redeeming time when men think least I will” (I.ii.21 ...
Shakespeare and the Early Modern Self 183 perhaps, because Falstaff ’s nihilism is the prince’s own. Falstaff ’s speech in conte ...
184 Ideals in the Modern World augmented by the need for the middle class, having stepped into the space opened out by Shakespea ...
Say that what we call the early modern period, with the ascent of capitalism, initiates a relative triumph for worldliness and a ...
186 Ideals in the Modern World be the source of meaning, which to past women and men arose from thought and bravery and faith. B ...
The Poet 187 nifi cent poet who affi rmed nothing except, in a most guarded way, Eros. And thus they found an inspiration. Shake ...
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