New York Magazine – August 05, 2019

(Darren Dugan) #1

56 new york | august 5–18, 2019


The CULTURE PAGES

sea wall/a life is at the Hudson Theatre.


T

hey headline Sea
Wall/A Life, but aside
from the curtain call,
Jake Gyllenhaal and
Tom Sturridge are never
onstage at the same
time. But they’ve clearly become friends,
joking when I meet them backstage about
posing on the sofa in the st yle of those sul-
try ads for Burn This with Keri Russell
and Adam Driver. As the more established
movie star, Gyllenhaal acts a bit like the
older brother to Sturridge’s more intro-
verted, fidgety British sibling, though we’re
grading on a curve here: They’re both ner-
vous, fidgety people. Also, they are wearing
matching gold chains.
The show started at the Public Theater
in February and March and now has
moved to Broadway with the same direc-
tor, Carrie Cracknell. In the first of the
two monologues, Sea Wall, by Simon Ste-
phens, Sturridge plays a photographer
who describes his relationship with his
wife and father-in-law; then comes A Life,
by Nick Payne, in which Gyllenhaal’s
character talks alternately about his
father’s illness and his wife’s pregnancy.
Both monologues re veal a tragedy at
their centers, which might make them
seem like acting exercises. As might get-
ting two actors together to talk about
what the other is doing onstage and how
each of them got there. One thing Gyllen-
haal is sure of is that the show has been
subtly enlivened in its transfer. If nothing
else, by the weather outside. “People

Photograph by Jonas Fredwall Karlsson

Sea Wall in the

Summertime

Jake Gyllenhaal and Tom
Sturridge in dialogue about taking
their conjoined monologues
to Broadway. By Jackson McHenry

56

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The CULTURE PAGES


seawall/alifeisattheHudsonTheatre.

T

hey headline Sea
Wall/ALife,butaside
from thecurtaincall,
Jake Gyllenhaal and
TomSturridge are never
onstage at the same
time.Butthey’veclearlybecomefriends,
jokingwhenI meetthembackstageabout
posingonthesofainthest yleofthosesul-
try adsforBurn ThiswithKeriRussell
andAdamDriver.As themore established
moviestar, Gyllenhaalactsa bitlike the
olderbrothertoSturridge’s more intro-
verted,fidgetyBritishsibling,thoughwe’re
gradingona curvehere: They’rebothner-
vous,fidgetypeople.Also,they are wearing
matchinggoldchains.
Theshowstartedat thePublicTheater
inFebruary andMarchandnowhas
movedtoBroadwaywiththesamedirec-
tor,CarrieCracknell.In thefirstofthe
twomonologues,Sea Wall,bySimonSte-
phens,Sturridgeplaysa photographer
whodescribeshisrelationshipwithhis
wifeandfather-in-law;thencomesA Life,
byNickPayne,in whichGyllenhaal’s
character talks alternatelyabouthis
father’s illnessandhiswife’s pregnancy.
Bothmonologuesre veala tragedyat
theircenters,whichmightmakethem
seemlikeactingexercises.As mightget-
tingtwoactorstogethertotalkabout
whattheotheris doingonstageandhow
eachofthemgotthere. OnethingGyllen-
haalissureofisthat theshowhasbeen
subtlyenlivenedinitstransfer. If nothing
else,bythe weatheroutside.“People

Photograph by Jonas Fredwall Karlsson

Sea Wall in the

Summertime

Jake Gyllenhaal and Tom
Sturridge in dialogue about taking
their conjoined monologues
to Broadway. By Jackson McHenry

56

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