Practical Photography - UK (2020-02)

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Your Stuf f


All yourtechnique andgearquestions answeredby

our teamof [email protected]

Timsays:Whenit comesto
la ndscapephotography,there’s
nosuchthingas badweather,
onlydifferentkindsof good
weather.If we onlyeverworked
ingoldeneveninglightunder
cl earskies,we wouldnever
capturetheominousapproach
ofa stormor theeerinessof
lo w-lyingautumnmist.Our
portfolioswouldbe a tedious
monotonyof thesameclassic
la ndscapeshot,andwe would
neverflexourcreativemuscles
orseewell-troddenlocations
ina differentlight.
Notonlythat,butpositioned
atthe easternedgeof a large
ocean,Britaingetsmorethan
it s fairshareof cloudandrain,
soit’san importantskillto be
ableto adaptyourshootingstyle
todifficultor unfavourable
conditions.In fact,landscape
imagestakenon cloudyor
rainydayscanbe morevisually
arrestingandatmosphericthan
thoseshotin sunnyconditions.

Workin mono
It’sfairto saythatundercloudy
skies,somelandscapescanlook
drabandcolourless,andin this

casea black&whitetreatment
can be a saviour.Whenshooting,
set yourcamerato recordRAW
filesto preservethecolour
information,butthenby setting
yourcamera’spicturestyleto
monochrome,yourshotswill
showin monoon theLCD–
thatwayyoucanseeif they’re
workingas youshoot,then
convertthemto black&white
laterin theedit.
Moodyskiesworkwellas an
el ementin monolandscapes,
and framingup you’llwantto
fo cusyourattentionon tone,
shapeandtexturewithinthe
shot.If youdo optto workin
colour,considerembracingthe
scene’ssombre,mutedpalette
and keepingyourcolourssubtle
when processingyourshots.
Don’ttryto squeezeyour
imagesintothemouldof the
‘c lassiclandscape’shotby
addingcolourto emulate
a sunnyday.Instead,embrace
the weatherconditionsand
li ght,workwithit whenever
you can,andenjoybeingout
therecreatinguniqueimages
thatwillreallystandoutfrom
the crowd.

I can nevermakecloudydaylandscapeimageslookany
good.Is it evenworthventuringoutto shootwhenthe
sun isn’tout,or shouldI waitforbetterconditions?
Ni ckBenton,Exeter

Can I get great

landscapes on

a cl oudyday?

72 PRACtICALPhOtOgRAPhy

TimBerry
Formerdeputy
editorTimis a pro
photographerand
jo urnalistwith
anencyclopedic
photoknowledge.

AdamAtkins
PP’s features
writeris an
accomplished
pr ofessional
sportandtravel
photographer.

KirkSchwarz
AsPP’stechnique
andgeareditor
Ki rkknowsthe
bestkit,andhow
togetthemost
out of it.

emphasisetones
Goingmonofocuses
at tentionontexture.

LeeFilters
LEE100
Landscape
Ki t £148

Suitablefor
full-frame
cameraswith
wi de-anglelenses,thiskit
in cludesan ND6gradwith
fil terholder.Adapterring
notincluded.

Cokin
P Series
Gradual
NDKit £27

Includesthree
di fferentND
gr adswithfilter
holder,thoughwithoutadapter
ri ng.SuitableforAPS-Cbodies
wi thfocallengthsover18mm.

darkenskies
AnND gradhelpsto
adddramato thesky.
Free download pdf