Caucasus region of Russia. The
author arranged his novel in five
parts, portraying the complex
nature of a sensitive, emotional,
yet brutally cynical antihero who
despairs at the pointlessness of life.
TALES OF THE GROTESQUE
AND ARABESQUE
(1840), EDGAR ALLAN POE
Originally published in two
volumes, Tales of the Grotesque
and Arabesque consists of 25 short
stories or “tales.” Many of them are
written with elements of gothic
form, and some delve into the
darker psychological aspects of the
protagonists’ minds. American
writer Poe (1809–49) is regarded as
the creator of “Dark Romanticism”—
a specifically American form of
Romanticism. “The Fall of the House
of Usher,” best known of the tales,
sees Roderick Usher’s home cracking
and breaking and finally collapsing
in sympathetic parallel with his
own psychological breakdown.
Much analysis of Poe’s collection
has centered on the meaning of the
terms “Grotesque” and “Arabesque”:
whatever Poe’s exact intention,
the tales are significant for their
treatment of terror and horror.
THE BLACK SHEEP
(1841–1842), HONORÉ DE BALZAC
Long overlooked but now considered
to be one of the masterpieces of
French novelist and playwright
Balzac (see p.151), The Black Sheep
tells the story of the competing
plots, manipulations, and schemes
of the members of a bourgeois family
to secure a substantial inheritance.
Titled La Rebouilleuse—someone
who stirs water in order to trap
fish—in French, in reference to a
controlling mistress of the story, it
is a compelling exploration of the
nature of deceit. Money, status, and
legitimacy, and the lengths to which
human beings will go in order to
secure financial reward are among
the themes explored by Balzac.
DEAD SOULS
(1842), NIKOLAI GOGOL
Dead Souls is often seen as the first
great novel of the Russian Golden
Age. Inspired by his friend, the poet
Pushkin, Ukrainian-born writer
Gogol intended to write a three-
part epic, but only produced the
first two parts, and burned the
manuscript of the second volume
when close to his death. The
remaining novel satirizes the
practices of serfdom in Russia. Since
tax must be paid by landowners on
all their serfs—even those who
have died since the last census—
lead character Chichikov colludes
illegally with estate owners to buy
their dead serfs. He plans to borrow
money against the value of his
“dead souls” to start his own estate.
Chichikov’s travels across Russia
are a comic tale reminiscent of
Cervantes’ Don Quixote.
THE COUNT OF
MONTE CRISTO
(1844–1845), ALEXANDRE DUMAS
The most popular book throughout
Europe at the time of its serialization,
The Count of Monte Cristo, by
French playwright and novelist
Dumas (see p.123), was set during
the Bourbon Restoration. It tells the
story of the revenge inflicted by
Edmond Dantès on his enemies,
following his imprisonment on false
charges of treason. In prison he
152 FURTHER READING
Nikolai Gogol
Born in 1809 in Sorochintsy in
the Russian Empire (now part
of Ukraine), Gogol was the
progenitor of the great 19th-
century tradition of Russian
realism. Raised in the Cossack
heartlands and shaped by the
folklore of his native people,
Gogol’s early works displayed
a lively and often colloquial
style, winning instant acclaim
from the Russian literary
public. His short stories,
novels, and plays spanned
Romanticism, Surrealism,
comedy, and satire, but his
creative capacity waned in the
years before his death in 1852.
Key works
1831–32 Evenings on a
Farm near Dikanka
1836 The Government
Inspector
1842 Dead Souls (see left)
There was an iciness, a
sinking, a sickening of the
heart—an unredeemed
dreariness of thought which
no goading of the imagination
could torture into aught
of the sublime.
“The Fall of the House
of Usher”
Edgar Allan Poe
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