- LAW 30
thenbaitedhiminto
choosing
thosecuffs
onstage.
Then,
during
thetwo
men’s
tussle,
thedexterousHoudiniwasableto
change
thecodeto“ER-
AvU-D.”Hehad
spent
weeks
practicing
this
trick,
buttheaudiencesaw
noneofthesweatandtoilbehindthescenes.NorwasHoudinieverner-
vous;
he
inducednervousnessinothers.
(He
deliberatelydragged
outthe
timeitwouldtaketo
escape,
asa
way
of
heightening
the
drama,
andmak-
ing
theaudience
squirm.)
His
escapes
from
death,
alwaysgraceful
and
easy,
madehimlooklikea
superman.
Asa
person
of
power,you
mustresearchand
practiceendlessly
before
appearing
in
public,onstage
or
anywhere
else.Never
expose
thesweatand
laborbehind
yourpoise.
Somethinksuch
exposure
willdemonstratetheir
diligence
and
honesty,
butit
actuallyjust
makes
them
lookweaker-—as
if
anyone
who
practiced
andworkedatitcoulddowhat
they
had
done,
oras
if
they
weren’t
reallyup
tothe
job.Keepyour
effortand
your
tricksto
yourself
and
you
seemtohavethe
grace
andeaseofa.
god.
Oneneversees
the
sourceofa
god’spower
revealed;
one
only
seesitseffects.
Aline
[ofpoetry]
willtakeushours
maybe;
Yet
if
itdoesnotseemammnentis
thought,
Our
stitching
and
unstitciting
hasbeen
naught.
Adam‘s
Curse,
WilliamButler
them,
I865~~l' 939
KEYSTOPOWER
Humanity‘s
firstnotionsof
power
camefrom
primitive
encounterswithna-
ture-—theflashof
lightning
inthe
sky,
asudden
flood,
the
speed
andferoc
ity
ofawildanimal.Theseforces
required
no
thinking,
no
planning—they
awedus
by
theirsudden
appearance,
their
gracefulness,
andtheir
power
overlifeanddeath.Andthisremainsthekindof
power
wehave
always
wantedtoimitate.
Through
scienceand
technology
wehaverecreatedthe
speed
andsublime
power
of
nature,
but
something
is
missing:
Ourma~
chinesare
noisy
and
jerky,they
reveal
theireffort.Eventhe
very
bestcre-
ationsof
technology
cannotrootoutour
admirationfor
things
thatmove
easily
and
effortlessly.
The
power
ofchildrentobendustotheirwillcomes
fromakindofseductivecharmthatwefeelinthe
presence‘
ofacreature
lessreflectiveandmore
graceful
thanweare.Wecannotretumtosucha
state,
but
ifwecancreatethe
appearance
of
thiskindof
ease,
weelicitin
othersthekindof
primitive
awethatnaturehas
always
evoked
inhu-
mankind.
Oneofthefirst
European
writersto
expound
onthis
principle
came
fromthatmostunnaturalof
environments,
theRenaissancecourt.In771:
Book
of
the
Courtier,
published
in
1528,
Baldassare
Castiglione
describesthe
highly
elaborateandcodifiedmannersofthe
perfect
courtcitizen.And
yet,
Castiglione
explains,
thecourtiermustexecutethese
gestures
withwhathe
calls
.r[mzz,zatu1a,
the
capacity
tomakethedifficultseem
easy.
He
urges
the
courtier
to
“practice
inall
things
acertainnonchalancewhichconcealsall