The 48 Laws Of Power

(Utkarsh JhaWsTmab) #1
PARTI: SURROUNDYOURNAMEWITHTHE

SENSATIONALAND
SCANDALOUS

Drawattentionto


yourselfbycreating

an

unforgettable,

evencontroversial

image.

Courtscandal.Do

anything

tomake

yourself

seem

larger

than

life

andshinemore

brightly

thanthosearound
you.

Makenodistinctionbe-


tweenkinds

ofattention—notorietyofany

sortwill

bringyonpower.

Better

tobeslanderedandattackedthan


ignored.

OBSERVANCEOFTHELAVV

P.T.
Barnum,

America’s

premiernineteenth-century

showman,

startedhis

careerasanassistanttotheowner
of
a
circus,
AaronTurner.In 1836 the

circus

stopped

in

Annapolis,Maryland,

foraseriesof

performances.

On

the
morning

of
opening

day,

Barnumtookastroll

through

town,

wearing

a

newblacksuit.

People

startedtofollowhim.Someoneinthe

gathering

crowdshoutedoutthathewastheReverend

Ephraim

K.

Avery,

infamous

asaman

acquitted

ofthe

charge

ofmurderbutstill
believed

guiltyby

most

Americans.
The
angry

mobtore
off
Bamum’ssuitandwas

ready

to

lynch

him.After

desperate

appeals,

Barnum

finally

convincedthemtofollow

himtothe
circus,

wherehecould

verify

his

identity.

Once

there,

oldTurnerconfirmedthatthiswasalla

practicaljoke-—he

himselfhad

spread

therumorthatBarnumwas

Avery.

Thecrowddis—


persed,

but
Barnum,
whohad

nearly

been
killed,
wasnotamused.He

wantedtoknowwhatcouldhaveinducedhisbossto

play

suchatrick.
“My

dearMr.
Barnum,”

Turner

replied,

“itwasallforour

good.

Remember,

all

weneedtoensuresuccessis

notoriety.”

Andindeed
everyone

intown
was

talking

aboutthe

joke,

andthecircuswas

packed

that
night

and

everynight

it

stayed

in

Annapolis.

Barnumhad
learned
a
lesson
he
wouldnever

forget.

Bamum‘sfirst

big

ventureofhisownwastheAmericanMuseum——a

collection of
curiosities,
located inNewYork. One

day

a

beggar ap-

proached

Bamuminthestreet.Insteadof
giving

him
money,

Bamum
de-

cidedto

employ

him.

Taking

himbacktothe
museum,
he
gave

theman

livebricksandtoldhimtomakeaslowcircuitofseveralblocks.Atcertain

points

hewasto

lay

downabrickonthe
sidewalk,

alwayskeeping

one

brickinhand.Onthereturn
journey

hewasto

replace

eachbrickonthe

streetwiththeoneheheld.Meanwhilehewastoremainseriousofcounte-

nance
andto
answerno

questions.

Oncebackatthe
museum,
hewasto

enter,
walkaround
inside,
thenleave

through

thebackdoorandmakethe

same
bricklaying

circuit

again.

Ontheman’sfirstwalk

through

the
streets,

severalhundred

people

watched his
mysterious

movements.

By

his fourth
circuit,
onlookers

swarmedaround
him,

debating

whathewas

doing.Every

timehe
entered

the
museumhewas
followed

bypeople

who

bought

ticketsto

keep

watch»

ing

him.
Many

ofthemweredistracted

by

themuseum’s
collections,
and

stayed

inside.

By

the endofthefirst

day,

thebrickmanhaddrawnovera

'll|l»\\"AS|'SVI)‘l'|l|".

l*’ltI'\t,.‘li

A
wasp
namedPinTail

was
long

in
questof

some(Icedthatwould

makehim
forever

famous.

Soone
day

he

enteredthe
king's

palace
and
slung
the

little
prince,

whowasin

hell.The
prince

awoke

withloudcries.The

king
andhiscoumers

rushedintoseewhat

had
happened.
The

prince

was
yelling

as

the
warpstung

him

again
and
again.
The

cozmierstriedtocatch

the
warp,

andeachin

turnwas
stung.

The

whole
myalh0u.s'1zhnld

rushed
in,
thenews

soon
spread,
and

peopleflocked
lothe

palace.
The
city
wasin

an
uproar,

alll)m'iue.\'.\‘

Sll.S'[l€N(l(.’d.
Saidthe

wasp

to
itselfbefore
it

expiredfrom

its
efforts.

“Aname
without/J1me

is
like/ire
wilhuul

flame.

Thereis
Iwthirrg

like
attracting

notzceat

any
cost.

"


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45
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