Artist's Magazine - USA (2020-05)

ArtistsNetwork.com 19 4 I painted the highlights on the tipped flute, at right, and on the green glass bottle, and added the obj ...

20 Artists Magazine May 2020 Build DRAWING BOARD Whether you’re an abstract expres- sionist trying to place your brush precisely ...

ArtistsNetwork.com 21 TOP Study for The Triumph of Henry IV by Peter Paul Rubens ca 1630; oil on wood, 19½x32⅞ THE METROPOLITAN ...

22 Artists Magazine May 2020 Build DRAWING BOARD Rubens’ study for The Presentation in the Temple (page 20). Rubens often starte ...

ArtistsNetwork.com 23 Seated Male Youth by Peter Paul Rubens ca 1613; black chalk, heighted with white chalk, 19¹¹⁄₁^6 x11¾ THE ...

24 Artists Magazine May 2020 Build DRAWING BOARD MURAL PAINTING Much like Rubens’ preplanning of his paintings, prep work plays ...

ArtistsNetwork.com 25 LEFT TO RIGHT Study for the Figure of Christ by Peter Paul Rubens ca 1610; black chalk and charcoal, heigh ...

26 Artists Magazine May 2020 Build LESSON In his classic book The Art of Color and Design, Maitland E. Graves says that all good ...

ArtistsNetwork.com 27 Although we tend to idealize many objects, thinking of them as sym- metrical, nearly everything organic is ...

28 Artists Magazine May 2020 Build LESSON PRINCIPLE 2: MOVEMENT Some objects can imply action and move the eye through a design. ...

ArtistsNetwork.com 29 PRINCIPLE 3: PATTERN/REPETITION Pattern refers to the repetition of color or shapes within a composition. ...

30 Artists Magazine May 2020 Build LESSON PRINCIPLE 4: EMPHASIS, OR HIERARCHY An emphasis, or hierarchy, should be considered wh ...

ArtistsNetwork.com 31 HIGH CHROMA A high-chroma color such as an intense red, orange or yellow can grab the viewer, forcing the ...

32 Artists Magazine May 2020 Build LESSON PRINCIPLE 5: CONTRAST I’m always thinking in terms of oppo- sites and how opposites at ...

ArtistsNetwork.com 33 PRINCIPLE 6: RHYTHM We usually think of rhythm as a char- acteristic of music—a strong, regular, repeated ...

Build WORKSHOP DIMENSIONALITY Flat-Out Relief ANDREW S. CONKLIN raises an illusion of depth and form. Materials SURFACE: paperbo ...

ANDREW S. CONKLINearneda BFAfromtheAmericanAcademyofArt,in Chicago. He attendedtheNationalAcademyofDesignandtheArtStudents Leagu ...

Build WORKSHOP STEP 2 Using a piece of sharpened gray pastel, I drew out the main contours of the putti and drapery. The grid he ...

STEP 6 With most of the surface covered, I waited a day for the painting to dry before tackling the facial details. STEP 5 I mov ...

38 Artists Magazine May 2020 Build ART HACKS Bloom Basics Quartet ● Perfectionism is no friend to realism. Avoid lines that are ...