A Companion to Venetian History, 1400-1797
798 wolfgang wolters banishment of Grimani for his evasion of a naval battle with the Otto- mans near Zonchio in 1499, this devo ...
art in venice, 1400–1600 799 popular polyptych settings. Giovanni Bellini solved the problem with his painting in the Pesaro cha ...
800 wolfgang wolters the flag indicates that Pesaro stood on the papal side as a commander; the prominent position of St Peter m ...
art in venice, 1400–1600 801 the messages contained therein include the viewers themselves, who are gazing upward. A comparably ...
802 wolfgang wolters on the commitment of the painter to reproduce the literary tradition, or the historia according to the resp ...
art in venice, 1400–1600 803 civico, Musei del Vaticano) and an altar with figures by Pietro Lombardo for the colleoni chapel in ...
804 wolfgang wolters the collaboration of assistants, as in the majority of paintings in the Doge’s Palace and also in those of ...
art in venice, 1400–1600 805 Art Historical Surveys David rosand, Painting in Cinquecento Venice: Titian Veronese, Tintoretto (n ...
806 wolfgang wolters Book Illumination and Illustration: Giordana Mariani canova, La miniatura veneta del Rinascimento (Venice, ...
art in venice, 1400–1600 807 Barberini ceiling,” in Antoinette roesler-Friedenthal and Johannes nathan, The Enduring Instant. Ti ...
808 wolfgang wolters Portraiture: Anne christine Junkerman, Bellissima Donna. An Interdisciplinary Study of Venetian Sensous Hal ...
art in venice, 1400–1600 809 1988). Michael Maek Gérard, “Die ‘Milanexi’ in Venice. ein Beitrag zur entwicklungsgeschichte der L ...
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Venetian art, 1600–1797 Massimo Favilla, ruggero rugolo, and Dulcia Meijers* Part One: The 17th Century On 21 august 1609, Galil ...
812 massimo favilla, ruggero rugolo, and dulcia meijers turbulent cycle only came to an end with the Peace of Passarowitz in 171 ...
venetian art, 1600–1797 813 D.C.4 We are presented with a modern psychological portrait that will be an example to both Sebastia ...
814 massimo favilla, ruggero rugolo, and dulcia meijers the Saint Jerome inspired by the Angel in the church of San nicola da to ...
venetian art, 1600–1797 815 Figure 22.1. Johann Liss, The Vision of St. Jerome, circa 1627. Venice, Church of San nicolò da tole ...
816 massimo favilla, ruggero rugolo, and dulcia meijers Figure 22.2. Francesco Pianta, Cicero Defending Sculpture, circa 1657. V ...
venetian art, 1600–1797 817 tumultuous events of the 17th century, the terrible plague that struck Ven- ice in 1630 offers a div ...
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