The Celtic World (Routledge Worlds)

Chapter Nineteen - B Figure 19.5 (A) Fingertip impressions on a vessel from Ponders End, Essex; (B) 'tooled' decoration and do ...

The Art of the Potter - A c Figure 19.6 (A) S-shaped and concentric circular stamps and comb impressions on a sherd from Merth ...

Chapter Nineteen - A Figure 19.7 (A) Parallel multiple incision to facilitate handling on a vessel from Walmer, Kent; (B) rand ...

The Art of the Potter - coarse and haphazard and is best assigned to the repertoire of rustication techniques or whether it is ...

Chapter Nineteen - fine ware or carefully decorated, and crude, poorly executed decoration is present in all assemblages, but ...

The Art of the Potter - Macpherson-Grant, N. (1991) 'A re-appraisal of prehistoric pottery from Canterbury', Canterbury's Arch ...

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PART VII THE ART OF THE CELTS .... - ...

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CHAPTER TWENTY THE NATURE AND FUNCTION OF CELTIC ART --.... -- Ruth and Vincent M egaw E lusive, curvilinear, ambiguous, shape-c ...

Chapter Twenty - Much of the remaining art is thus made of ceramics and metal, which survive, though it is worth emphasizing t ...

The Nature and Function of Celtic Art - the same period' (Schapiro 1953). Because of Jacobsthal's classical training and the e ...

3 2 5 6 Figure 20.1 Art styles: (I) gold-leaf covered, coral-inlaid Early Style bronze and iron plaque from Weiskirchen barrow I ...

The Nature and Function of Celtic Art - This early stage of artistic development can be related to the archaeologically visibl ...

Chapter Twenty - Figure 20.2 Vegetal Style tendrils on (top) bronze and iron scabbard from Filottrano, Ancona, Italy, Grave 22 ...

The Nature and Function of Celtic Art - Figure 20.3 Sword Style decorated iron scabbards: (above) detail of Hungarian Sword St ...

Chapter Twenty - shows a penchant for three-dimensional forms in metal, such as the bronze ankle- and arm-rings and false fili ...

The Nature and Function of Celtic Art - oppida by Julius Caesar, and as large as most medieval towns. This phase is charac- te ...

Chapter Twenty - Figure 20.5 Incised bronze scabbard plate no. 2 from Lisnacrogher, Co. Antrim, Northern Ireland, showing bird ...

The Nature and Function of Celtic Art - - Figure 20.6 Detail of engraving on a bronze and iron scabbard, with remains of coral ...