Story of International Relations
94 J.-A. PEMBERTON the adherence of forty-three national committees and forty international organisations and through them, the ...
2 PARIS, 1937: COLONIAL QUESTIONS AND PEACE 95 An internAtionAl exHibition When the French government first committed itself to ...
96 J.-A. PEMBERTON français (Masterpieces of French Art). An initiative of Blum, the ret- rospective was prepared with a view to ...
2 PARIS, 1937: COLONIAL QUESTIONS AND PEACE 97 points out that Masterpieces of French Art comprised 1341 works in total. He adds ...
98 J.-A. PEMBERTON de l’art indépendent).^42 Gérard Durozol points out that this exhibi- tion, which included works by Bonnard, ...
2 PARIS, 1937: COLONIAL QUESTIONS AND PEACE 99 intended as a riposte to the ‘cool rationality’ of the exhibitions at the Palais ...
100 J.-A. PEMBERTON them to paint frescoes and to decorate the French pavilions, a good number of which, it is worth noting, wer ...
2 PARIS, 1937: COLONIAL QUESTIONS AND PEACE 101 Radio where the vast networks of communication that transmitted sounds and image ...
102 J.-A. PEMBERTON allowing ‘French ethnographers to move an entire Ethiopian chapel inte- rior’ into the museum), it is import ...
2 PARIS, 1937: COLONIAL QUESTIONS AND PEACE 103 It features two curved wings, these being retained from the Palais du Trocadéro, ...
104 J.-A. PEMBERTON opposite, the two figures comprising Mukhina’s sculptural work, which was entitled Worker and Collective Far ...
2 PARIS, 1937: COLONIAL QUESTIONS AND PEACE 105 Charles de Noailles, a noted patron of the arts, and Henri Monnet, the brother o ...
106 J.-A. PEMBERTON In its monumentalism, the Palais de Chaillot has long been seen (as with the neighbouring Palais de Tokyo), ...
2 PARIS, 1937: COLONIAL QUESTIONS AND PEACE 107 is significant in this regard....At the centre, a grand esplanade where one enco ...
108 J.-A. PEMBERTON colonies of Algeria, Corsica, the French Indies, Guadeloupe, Indochina, Madagascar, Martinique, Morocco, Réu ...
2 PARIS, 1937: COLONIAL QUESTIONS AND PEACE 109 sang their songs’.^86 Doubtless of most importance in explaining the rel- ative ...
110 J.-A. PEMBERTON Just opposite El Guernica was another work commissioned for the pavilion: a constructivist sculpture by Alex ...
2 PARIS, 1937: COLONIAL QUESTIONS AND PEACE 111 objective. The World Exposition will have fallen short of its goal if it were me ...
112 J.-A. PEMBERTON obviously did not prevent some from entertaining the hope that it might regain its equilibrium through some ...
2 PARIS, 1937: COLONIAL QUESTIONS AND PEACE 113 right-had side the words Rassemblement Universal pour la Paix.^100 In the interi ...
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