Adobe Photoshop CS5 One-on-One

(やまだぃちぅ) #1

  1. Adjust the White Balance controls. You can neutralize a color
    cast using the White Balance controls, found in the Basic panel
    on the right side of the interface. (If you see a different panel of
    options, click the tab below the histogram.) Here’s how the
    White Balance functions work:

    • By default, the White Balance pop-up menu is set to As
      Shot, which loads the white balance information conveyed
      by the camera. You can override this setting by choosing a
      lighting condition from the pop-up menu or entering your
      own Temperature and Tint values.

    • The Temperature value compensates for the color of the light
      source, as measured in degrees Kelvin. Low-temperature
      lighting such as tungsten produces a yellowish cast, so
      Camera Raw “cools” the image by making it more blue.
      High-temperature light such as shaded daylight produces
      bluish casts, so Camera Raw “warms” the image by tilting
      it toward yellow. The closest thing to neutral light is direct
      sunlight, which hovers around 5500 degrees.

    • Tint compensates for Temperature by letting you further
      adjust the colors in your image along a perpendicular color
      axis. Positive values introduce a magenta cast (or remove a
      green one); negative values do the opposite.
      This series of images seems to require some warming, perhaps
      because Chris’s daughter is climbing out of a cool blue tube or
      because the images were shot on a cold, gray day. Either way, the
      White Balance pop-up menu offers a series of predefined light
      sources, one of which is called Cloudy. Note that this setting is
      not designed to add a cloudy day effect but rather to compen-
      sate for the coolness of the light on an overcast day. In other
      words, choosing Cloudy makes the image warmer. Choosing
      a preset that refers to a warmer light source—say Tungsten—
      would cool down the image. Just remember that these settings
      are about compensation.
      The Temperature and Tint sliders are color-coded. For example,
      raising the Temperature value makes an image more yellow and
      lowering the value shifts it toward blue. But these sliders are
      easier to use if you think not about the color you want to add
      but the color you want to remove. If you reference “The Visible-
      Color Spectrum Wheel” (page 185), you can see that less orange
      equates to more cobalt, a near cousin to blue, which means we
      need to reduce the Temperature value.




300 Lesson 9: Pro Photography Tools

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