On6 November1997,I wasinvitedtostayat
SueTownsend’shouse.I hadsomeideafromher
personalityandfriendsthatit wouldbeexciting,
butI wasoverwhelmed.Itwasthefirsttime
I hadseensucha collectionoffineartarranged
soeffectively,theunforcedcomplexityseemingly
effortless.Everypieceoffurniture,objectand
paintingwassignificant,yetthiswasnota
celebrationofimportancebutofbeauty.Thescale,
layeringandtexturesgaveit charm,romance,a
senseofhistoryandplace.Thishomebecamemy
pointofreference.RobertKime,GeoffreyStead,
ChristopherGibbsandEdwardHurstallhadtheir
part to play in this idyll, but Sue made it a home.
MAX ROLLITT
Anantiquesdealerwithaninfallibleeye
forproportionwhotakesoninteriordesign
commissions using bespoke pieces.
WhenI movedtoParisaged 18 tostudyfashion
designandfineart,theCafédeFlorewaswhere
I metfriends.Ithaditsmomentatthecentreof
FrenchintellectuallifewhenSimonedeBeauvoir
tookherbreakfastthere.Shesatwritingallday,
willingtotalktoanyone.Inthosedaysit wasnot
chic;youcouldsitthereforhourswitha singlecup
ofcoffee.Forme,thisroomcarriesthememoryof
friendshipandgoodconversation.TheclassicArt
Decointerioris littlechangedsincetheForties:
redleatherseating,mirrorsonallthewallsand
mahoganyfurniture.Thewaiterswearthesame
blackwaistcoatsandlongwhiteaprons.Itis stillmy
favourite place in Paris to be with people I love.→
N IC OL E FA R H I
KnownfirstforherFrenchConnection(and
NicoleFarhi)stores,Nicoleisnowa sculptor
represented by the Beaux Arts gallery.
PhotogrAPhs
(Olga
pOlizzi)
Will
pryce;
(christOpher
hOWe)
christOpher hOWe;
(max rOllitt) tim BeddOW; (nicOle farhi) JOhner images/alamy
100
yeaRs