Music from the Earliest Notations to the Sixteenth Century
FIG. 16-6 “Persecutions Carried Out against Catholics by Protestant Calvinists in England,” sixteenth century. ...
styles, and proudly so. Byrd was the great protagonist of this change, which in the face of English withdrawal ...
Another famous émigré was Alfonso Ferrabosco (1543–88), a Bolognese composer whom Elizabeth hired in 1562. Ac ...
Phoenix.”^19 What the poem proclaims the music confirms. Joseph Kerman, who took the trouble to go through t ...
Ordinary, one a year, respectively for four, for three, and for five voice parts. This, finally, was musi ...
The only continental Mass, as it happens, that is in any significant way comparable to Byrd’s settings is the ...
There is irony in it, to be sure. One is surely meant to sense a contradiction between the meaning of the w ...
who have no peace. Once one has thought of this, one can hardly view this Agnus Dei as anything other th ...
very extreme human situation, open up new levels of musical meaningfulness. It goes without saying (but better, ...
EX. 16-19B William Byrd, Mass in Five Parts, Credo, mm. 157–68 Byrd’s setting of the line begins with a v ...
THE PEAK (AND LIMIT) OF STYLISTIC REFINEMENT Passages from two pithy motets in Byrd’s Gradualia, one from ...
The remaining ejaculations on “Alleluia,” for each of which Byrd invented a new motive and wove a new po ...
In the three chapters that follow, three such pressures will be identified and described in turn. Ther ...
conventional style-periodization and its attendant labels) actually brought about the loss of faith in “Renaissa ...
CHAPTER 17 Commercial and Literary Music VERNACULAR SONG GENRES IN ITALY, GERMANY, AND FRANCE; LASSO’S COSMOPOLIT ...
issued in 1528. That same year he issued five more sets of part books, averaging thirty songs ...
Who bought the early printers’ wares? Petrucci’s early volumes, with their cumbersome production methods and h ...
music traveled faster, farther, and in greater volume than before. Particularly was this true of Attaingn ...
The suave but simple music of this song was the work of Marco Cara (d. ca. 1525), one of the two leading ...
jingly rhythms a debased poetic tone—even an “antiliterary” one, as their leading American historian, James H ...
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