Music from the Earliest Notations to the Sixteenth Century

See also    Mass

Euclid, 253

Eudes (or Odo) de Sully, Bishop of Paris, 174 , 187

Eugene IV, Pope, 282

Euridice (Caccini), 811 , 812

Euridice (Peri), 811 , 812 , 813 , 823 , 824 , 826

musical significance    of,  829 –32    Euridice    (Rinuccini),     811 –12,    826

Eurydice (mythology), 811 –12, 829 , 832

Evangelist, 776 , 777

Evensong,

Anglican,    677

See also    Vespers

Evesham abbey, 402

Excita Domine (Alleluia), 42

exponential powers, theory of, 248

expression. See musical expression

Ex semine clausula, 196 , 209 –11, 210 , 211 , 217 , 218 , 222

different   texts   for,     217 –21,    218 ,   222

double  motet   on,  212 ,   215 ,   217

extemporization. See improvisation

extroversive semiotics, 652 –54, 658

Eya dulcis/Vale placens (Tapissier), 423 –24, 425 –26, 429

“eye-music” (Augenmusik), 778 –79, 801

F

Fabula di Orfeo (musical drama), 823

faburden, 436 , 437

Factue tue, 40

Faenza Codex, 306 –7, 322 , 324 , 371

Faeroe Islands, 393

Fair Phyllis (Farmer), 750 –51

faith, 765

Reformation vs. Counter Reformation source  of,  771 –72

fake-book, 130 –31, 132

falala (nonsense refrain), 746

fallacies, 221

essentialism    as,  381

genetic,     42 ,    221 ,   472