Ercole (Hercules) d’Este, Duke of Ferrara, 459 , 523 , 559 –63, 696
Ernoul Caupain, 120
eroticism,
alba (dawn-song) and, 110 –11
Arabic sung poetry and, 108
Gesualdo madrigal and, 738
spiritual ecstasy and, 772“escape tone” (counterpoint), 368 , 439
Eschenbach. See Wolfram von Eschenbach,
esclamazione (vocal technique), 817 , 821
Es fuegt sich (Oswald), 142
essences, Platonic, 37 , 827
essentialism, 381 , 382 , 385
“Established Rules of Harmony, The” (Zarlino), 586 –87
estampie, 294
Este, Ercole d’. See Ercole (Hercules) d’Este, Duke of Ferrara
Este, Isabella d’, 696
esthetics, 541
ancient and medieval service music and, 65 , 66
earliest art-for-art’s sake example and, 541
of fourteenth-century, 359 , 363 –64
of Lutheran church music, 769
music historiography and, 472
paradox of, 496 –97
radical humanism and, 803 –5
Romantic, 142 , 144 , 359Ethelwold, 93
ethnocentrism, 143 –44, 185
ethos, 38 , 131 , 732 , 815
etiquette books, 694 , 709
Eton Choirbook, 513 –18, 612
Eton College choir, 513 , 515 , 517
Etymologiae (Isidore), 6
Eucharist, 8 , 13 , 24 , 34 , 53 , 54 , 313
Lutheran chorale and, 758
in Mass ordo, 61
tropes and, 50