Music from the Earliest Notations to the Sixteenth Century

(Marvins-Underground-K-12) #1
insular musical idiom   and,     396 –97,    399 ,   405 ,   406 ,   409 ,   613 –14
Italian musical craze in, 743 –44
liturgical drama in, 93
liturgical music and, 612 –14, 672
madrigal and, 742 , 744 , 746 –51
Mass ordo standardization and, 60 , 61
medieval monasticism and, 4 –5, 7 , 387
metric system and, 253
motet and, 399 –403, 405 , 406 –7, 408 –11, 423 –33, 460 , 462 , 512 –18
musical importance of, 422 –52
musical reticence and, 751
music publishing in, 678 , 679 , 692 , 694
nationalism and, 389 , 399 , 405 –6, 409 , 670 , 746
Norman Conquest of, 397 , 397
Notre Dame/University of Paris students from, 172 –73
Old Hall manuscript and, 409 –18, 429 , 461 , 513
pan-European musical style and, 422
parish church musical oral tradition and, 27
polyphony and, 155 , 387 –99, 402 –3, 612 –14
Reformation in, 387 , 402 , 518 , 670 –73, 686 , 753
Roman Catholic recusants in, 670 , 675 , 675 , 677 , 678 , 679 , 686 , 742
Sumer Canon and, 387 –92, 394 , 397 , 399 , 408 , 419 , 457
Tallis and, 673 –75
twinsong and, 392 , 394 –96, 408
vernacular song and, 387 –95, 419 –20, 741 –51
Vikings and, 392 –93, 399
votive antiphons and, 94
See also London

Greater Doxology. See Gloria


Greater Perfect System, 70 , 77


Great Schism (papacy), 278 , 281 , 310 –14, 348 , 423 –24


Greek drama, 780 , 799


monodist    re-creations    and,     822 –23,    832

Greek (Hellenistic) music theory, 29 –35, 32 –33, 32 , 69 –70


alphabetic  notation,    17 ,    77
ethos concept and, 38 , 131 , 732 , 815
Greater Perfect System, 70 , 77
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