Music from the Earliest Notations to the Sixteenth Century

(Marvins-Underground-K-12) #1

Janus, King of Cyprus, 345


Japart, Jean, 539


Jaufre Rudel, 136


J’ay pris amours (anon.), 532 –33, 534 –41


instrumental    duo on,  536 ,   537
partbook arrangements of, 540 –41, 542

J’ay pris amours (Isaac), 538 –39


J’ay pris amours (Japart), 539


J’ay pris amours (Martini), 538 , 539


J’ay pris amours (Obrecht), 539


J’ay pris amours tout au rebours (Busnoys), 539


jazz,


improvisation   and,     17 ,    307 ,   536
unwritten conventions in, 17 , 261

Jean, Duke of Berry, 342


Jean de Grouchy. See Grocheio, Johannes de


Jean de Noyers. See Tapissier, Jehan Bretel, 120 , 121


Jehan des Murs, 247 –48, 249 –50, 252 , 254


harmonic    proportions of,  249 ,   250

Jehannot de l’Escurel, 123


Jehan Robert (Trebor), 342


Je l’ayme bien (Lasso), 714 , 715


Jeppesen, Knud, 670


Jerome, Saint, 20


Jerusalem, Latin Kingdom of, 107 , 345


Jerusalem Temple, 7 , 8 , 10


Jesu Cristes milde moder (twinsong), 394 , 396


Jesuits, 666 , 667 , 675 , 679


Jeu de Robin et de Marion, Le (Adam), 127 , 128 , 233 , 349


jeux-partis (mock-debates), 121 , 122


Jews and Judaism,


Christian   liturgy and,     7 –8,   10 ,    12 ,    13 ,    21 ,    54

Jherusalem, two counterpoints to, 154


“Jingle Bells” (song), 18


jingles, 185


Joan of Arc, 421 , 447


joc-partit. See tenso


joglars. See minstrels

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