“Lachrymae Pavan, The” (Dowland), 742 , 744 –45
Lady Massess, 314 , 316 , 317 –26, 595
Lago, Giovanni del, 551
lai (stanza sequence), 119 , 131 , 332
Lai de confort (Machaut), 332
Lai de la fonteinne (Machaut), 332 –36
Lambe, Walter, 513
Lambertus, Magister, 214 –15
lament, 448 , 452 , 454 , 484 , 500 , 747
Lämmlein geht und trägt die Schuld, Ein (Ducis), 769 , 770 –71
Lampadius of Lüneburg, 577 –78
Lancaster dynasty, 411 , 417
Landini, Francesco, 355 , 366 –78, 380 , 383 , 429
background of, 366 , 368 , 371 , 374
ballata cadences of, 368 , 383
Non avrà ma’ pietà, 368 –71, 373 –74
Sy dolce non sonò con lir’ Orfeo, 374 –78, 380 , 384Landini cadence (sixth), 368 , 383 , 441 , 470
Langlais, Jean, 374
language, medieval Europe polyglot, 142
Languedoc region, 107 –16, 152
ars subtilior composers and, 342 –45
map of, 111
Mass of Toulouse and, 315
See also troubadoursLasse/se j’aime/POURQUOY (Machaut), 292 , 293 –94, 298
Lasso, Orlando di, 678 , 712 –22, 713 , 773 , 786
background and career of, 713 –14
fame of, 715
Gabrieli (Giovanni) and, 786
madrigal and, 724 , 738 , 739 , 792
Palestrina compared with, 713
voluminous published works of, 713 –14
works of
Audite nova, 717 –18
Je l’ayme bien, 714 , 715
Matona mia cara, 714 –17