oral tradition and, 1 –35
organist improvisation and, 437 , 607 , 617
Palestrina and, 630 –67
Passion settings and, 775 –77
polyphony and, 155 –68, 310 –14
Protestant Reformation effects on, 753 , 754
Roman Catholic reform and, 645 –53, 672
Second Vatican Council and, 278
secular music’s blurred line with, 105 –6, 128 , 131 , 136 , 311 , 532 –34
stile antico and, 667 , 669Lives of the Artists (Vasari), 641
Lochamer Liederbuch, 701
Lockwood, Lewis, 559
“loco” Masses. See motetti missales
Lohengrin (Wagner), 138
Lombards, 2 , 3 , 696
Long, Michael P., 352 , 356 , 368 , 383 ,
longa triplex. See three-tempura length,
longa ultra mensuram. See three-tempora length,
longissima melodia, 157
Longueval, Antoine de, 776 –77
Lord’s Prayer (Josquin polyphonic setting), 563 , 564
Lord’s Supper (Lutheran Mass), 755 , 769 . See also Eucharist
Lorenzo Masini, 366
A poste messe, 366
Non so qual i’ mi voglia, 366 , 367Loris, Heinrich. See Glareanus, Henricus,
Louis I (Louis the Pious), King of the Franks, 37
Louis IX, King of France, 120
Louis X, King of France, 258
Louis XI, King of France, 455 , 458
Louis XII, King of France, 554 , 555 , 558 , 559 , 563 , 574 , 589
Louvre (Paris), 117
love songs, 526 –34
ballata and, 367
bergerette and, 526 –34
cantigas and, 128 –29