antiphoner and, 6 , 7
Avignon papacy and, 310 –14
Byrd and, 678 –89
Byzantine chant and, 33 –35
Calvinist rejection of, 754 –55
choral, 314
Christian origins of, 7 –8
church calendar and, 12 , 37 –39
church plays and, 93 –94
Clemens and, 593 –99
concerted style and, 666
congregational singing and, 27 –28, 47 , 58 , 758 , 765
Council of Trent and, 649 –50, 653 , 655 , 656 , 672 , 789
Counter Reformation and, 771 –96
“Credo I” and, 34 –35
Dies irae and, 88 –90
divine service and, 65
earliest surviving artifact of, 33
in England, 1 –5, 7 , 27 , 513 –18
English fifteenth-century influence on, 423
English sixteenth-century, 612 –13
Frankish hymns, 41 –43, 47 –49
Frankish modal theory and, 72 –104
Frankish reorganization of, 5 , 37 –67
Gabrielis and, 780 , 782 –83
“intelligibility” movement and, 647 , 649 –53, 672 , 769 , 771
Josquin’s exemplary, 565 –72
Lutheranism and, 758 –69
Machaut and, 307 –10
Mass ordo standardization, 60 , 62
medieval vernacular song similarities with, 111 –12, 131
modern esthetics and, 496 –97
monastic day and, 10 –12
motet and, 217 , 219 , 277 –85, 311 , 501 –46
motet-ricercare and, 607
Neoplatonist Musica ideas and, 37 –40
Notre Dame composers and, 171 –72