Music from the Earliest Notations to the Sixteenth Century

faburden    bass    lines   and,     437

Frescobaldi and,     821

Landini and,     366 ,   368 ,   371 ,   374

Mass    Ordinary    and,     324

organist    improvisation   and,     437 ,   607 ,   617 ,   781

printed accompaniments  for,     781 –82,    783

ricercari,   588 ,   606 –7,     607 ,   616 ,   617 ,   617 –19,    618 –19,    619 ,   786

organists, famous blind line of, 374

organ musicetto, 363

organum, 167 , 219 , 296

Grocheio’s  social  theory  and,     208 ,   233

melismatic,  156 –57,    159 ,   171 ,   178 –79

Notre   Dame    settings,    171 ,   173 ,   177 –79,    186

patchwork,   184

Viderunt    omnes,   173 ,   177 –78,    177 ,   178 ,   179 –80

See also    motet

organum cum alio, Notre Dame school and, 186 –98

organum duplum, 171 , 177 –78, 184 , 186 , 187 , 211 , 298

organum per se, 187

organum purum, 179

organum quadruplum, 174 , 187 –91, 199 –201, 199

hocket  and,     233

organum triplum, 173 , 187 , 190 , 397

Alleluia    Nativitas,   191 –96

Ex  Semine  clausula,    210 –11,    212 ,   217 ,   222

modal   rhythm  and,     245

Musicalis   Sciencia/Sciencie   Laudabili,   267 ,   268 –70

Thomas  gemma   Cantuariae/Thomas   caesus  in  Doveria,     408 –9,     411 –12

See also    motet

Orkney Islands, 392 –93

Orlando de Lassus. See Lasso, Orlando di

ornamental neumes, 24 , 48 , 57

loss    of,  105

ornamentation (embellishment),

Baroque and,     699

Landini cadential,   368 ,   369 –71

Machaut and,     307 ,   325

melismatic,  28 ,    39