Anglican repudiation of, 671 –72
antimusical bull of, 311
antipopes and, 278 , 310 , 311 , 378
Avignon, 249 , 307 –21, 310 , 331 , 337 , 342 , 378
Carolingian Empire and, 2 –5
choirbooks and, 458 –59
Great Schism and, 310 –14, 348 , 423 –24
Gregorian chant and, 5 –7, 23
Guelphs and Ghibellines and, 286 , 354
musical patronage by, 278 , 281 , 559 , 754
non-Italian popes and, 630
Palestrina’s musical service with, 631 , 632 , 633 , 649 , 650 –53, 666 , 667 , 675
Polish court ties with, 347 –48Papal Chapel Choir, 559 , 650
Papal States, 2 –3
Parabosco, Girolamo, 605 , 607
Paradiso, Il (Dante), 286
paraliturgical music, 128
parallel doubling, 47 , 149 –53, 155 , 406
as utopian, 152parallel fifths, 406 , 819
parallel-imperfect-consonance style, 406 –9
parallel thirds, 394 , 406
paraphrase Masses. See parody Masses
paraphrase motets, 501 , 503 , 506 , 507 , 556 –57, 566 –67, 641
Paris,
Ars Nova and, 254 –55
English music and, 423 , 424
English occupation of, 421 –22, 461
fourteenth-century musical scene in, 422
guilds and, 118 , 120 , 131
motet and, 219 –21, 229 –36, 229 , 233
music publishing in, 692 , 694 , 706 , 708
Notre Dame cathedral and school, 89 , 169 –205
Sorbonne Mass and, 315
as twelfth- and thirteenth-century intellectual capital, 148 , 207 –8
urban clergy and, 207 –8