Euridice, 811 , 812 , 813 , 823 , 824 , 829 –32
“Qual nova meraviglia!”, 827 –28
periodization, 380 –85
Péronne d’Armentières, 297 , 299
Perotin, 173 –75, 186 , 187 , 191 , 192 , 198 , 209 , 347 , 397
Perréal, Jean, 548
Perspice, christicola (Latin versus), 387
pes (melodic repetition), 118 , 129 , 388 , 389 , 392
British motets and, 399 –403, 405 , 408 , 410 , 411
Ockeghem motet and, 457
voice-exchange of, 399
Pesaro family, 281
Petelin, Jacov. See Gallus, Jacobus
Peter, Saint, 80
petite reprise. See coda
Petrarch, 116 , 310 , 352 , 723 , 724 , 728 , 747 , 818
Petrarchan revival, 722 –23
Petre family, 679
Petronian motet, 236 –45, 251 , 259
trecento system and, 355
Petrucci, Ottaviano,
first competitor of, 691
publications of, 499 –500, 520 , 529 , 542 –43, 544 , 555 , 557 –58, 559 , 560 –61, 563 , 565 , 574 , 579 ,
606 , 666 , 691 , 693 , 694 , 695 , 697 , 698 , 699
typographical method of, 692
Petrus Alamire, 457
Petrus de Cruce, 238 –45, 249 , 251 , 258 –67, 355
Pfitzner, Hans, 652 –53
Palestrina, 652 –53, 652 , 654 , 656
Phaedrus (Plato), 17
phenomenal music, 827
Philip I, King of France, 93
Philip I (the Handsome), King of Spain, 457
Philip II, King of France, 170
Philip II, King of Spain, 649
Philip II (the Bold), Duke of Burgundy, 424 , 485
Philip III (the Good), Duke of Burgundy, 439 , 484 –85, 486
Philip IV (the Fair), King of France, 258 , 310 , 559