chromaticism and, 274
perfect/imperfect notion, 341 , 417
perfect intervals, 149
perfection. See ars perfecta
perfect long, 180 , 181
perfect number, 587
perfect pitch, 76 , 434
performance art, women and, v, 492
performance practice,
“authentic” movement and, 782
charismatic effects of, 616 –17
composers and, 65 , 299
composer specifications and, 782 –83
English singing qualities and, 452
harmonization and, 392 , 394 , 406 , 434 –39
historical speculation on, 158 –59
improvisation and, 17 , 617 –18
madrigal and, 364
Mass Ordinary and, 310 , 312 –13
medieval vernacular song and, 130 –31
monody and, 817
musical dramatization and, 786
notation following, 1 –2, 184 –85
polyphonic singing and, 44 –47, 147 –48, 149 , 157 –59, 163
professionalization of, 786
ricercari and, 619
sixteenth-century instrumental, 617 –21
study of, 452
troubadour’s songs and, 109 –10
unwritten conventions and, 46 , 452
written music and, 104 , 262 , 265
written supplementary directions for, 262 , 265
See also concerts; domestic entertainmentperformance repertory. See standard repertory
Peri, Jacopo, 804 –5, 806 , 809 , 809 , 811 –12, 823 , 826 , 829
Dafne, La, 824 , 826 , 827 –29, 831
Dunque fra torbid’ onde, 810