early Greek, 32 –33
senaria perfecta (meter), 363
senaria theory, 587 –88, 603
Sennfl, Ludwig, 545 , 572 –73, 572 , 704 , 762
Isaac’s Choralis Constantinus and, 679
Luther’s relationship with, 756 , 758
Tenorlied and, 704 –6
works of
A un giro sol setting, 757 , 758
Ave Maria... Virgo serena, 572 –73, 588 , 704
Lust hab ich ghabt zuer Musica, 704 –6
Sensuality, Counter Reformation music and, 772 –77, 785
sequence, 39 , 41 –47, 50 , 86 , 99 , 131 , 171
British motet and, 399 –402
double-entry, 60
madrigal descending seconds and, 363
paired vesicles of, 98 , 604
planctus settings and, 112 –13
polyphonic setting and, 149
rhymed metrical, 86 –92
rhythmic performance speculation and, 114 . See also melody
sequentia melisma, 41 , 42 , 42 –43
sequentia vocalise, 39
serfdom, 107 , 143
Sermisy. See Claudin de Sermisy
services, liturgical day, 11 –12
sesquitertia, 341
sestina, 352
Seven Last Words, 776
seventeenth century,
academies, 798 –99
designations for, 797 –98
key system and, 44
madrigal types and, 817
monodic revolution and, 699 , 806 –34
“nuove musiche” publications in, 812 –22
Sexta hora, counterpoint to, 154
Sforza, Ascanio Maria Cardinal, 518 , 552 , 558 , 578 , 578 , 584 , 699