Music from the Earliest Notations to the Sixteenth Century

Sforza, Galeazzo Maria, Duke of Milan, 459 , 518 , 519 , 522 –23, 558 , 584

Sforza family, 518

Shakespeare, William, 819

Henry   V,   420

history plays   of,  420

iambic  pentameter  and,     742

sonnet  form    of,  352

shamanism, 616

sheet music,

Christmas   carols  and,     420

tabulatures,     606

Sherr, Richard, 558

Sibylline Prophecies, 719 , 719 , 773

Sicily, 351

sigh-figure, 363 , 371 , 372 –73

Sight of Faburdon, The (treatise), 436 , 437 , 438

sight-singing, 47 , 76

choral,  617

fauxbourdon and faburden,    435 –39

harmonization   and,     434 ,   436 ,   437 ,   438

mnemonic    device  and,     104

modal   breakthrough    and,     99 ,    100 –104,   153

printed partbooks   and,     694

See also    ear training

Sigismund, Holy Roman Emperor, 282

signature,

clef,    99 –100

major   and minor   prolation,   253

neumes  and,     13 –16

time,    252 –53,    254

“sign of congruence,” 378

Silberweise (Sachs), 140

“simultaneous conception” (Aaron concept), 577 , 579

simultaneous style. See homorhythmic counterpoint

Sinatra, Frank, 617 , 817

sinfonia. See symphony

singing, 666 –67, 780