Music from the Earliest Notations to the Sixteenth Century

(Marvins-Underground-K-12) #1

stile rappresentativo, 802 , 826


earliest    surviving   example of,  827 ,   831

stile recitativo,


first   practice    of,  823 ,   826

Straeten, Edmund vander, 559


Stravinsky, Igor, 152


Gesualdo    madrigals   and,     738 ,   739
Rite of Spring, The, 349

strophe (stanza), 13 , 366 , 374 , 827


bergerette,  526
as Nuova musiche song type, 813
repetition and, 813

strophic form. See couplet


strophic office hymn, 47 –49


Strozzi, Piero, 800


Strozzi, Ruberto, 620


structural imitation, 528 –29, 535 –36


Stuart dynasty, 675


Style of Palestrina and the Dissonance, The (Jeppesen), 670


stylistic consciousness, 267 , 270


stylistic evolution, meaning of, 245 , 247 –48, 580


stylus luxurians. See luxuriant style


subsemitonium modi, 274 , 275 , 276 , 293 , 298


subtilitas (subtlety), 327 –49, 342


notation    and,     339 –42,    341

subtle art, 327 –36


subtonium modi, 79 , 274 , 368 , 469


successive composition, 301


Sumer Canon, 387 –92, 388 , 394 , 397 , 399 , 408 , 419 , 457 , 565


Sumerian language, 31


Sumer is icumen in/Lhude sing cuccu!, 387 –88, 388


See also Sumer Canon


Summa artis rithimici vulgaris dictaminis (Antonio), 723


sung verse play. See liturgical drama,


super librum singing, 438 –39


Supplimenti musicali (Zarlino), 800


supra librum (improvised polyphony), 758


Supremum est mortalibus bonum (Du Fay), 282

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