Music from the Earliest Notations to the Sixteenth Century

as  trobar  clus    principle,   330 ,   352

virtuoso singing,

madrigalist,     356 ,   363 ,   364

Notre   Dame    polyphony   and,     178

ornamentation   and,     816 –17

Visconti family, 352

visitatio sepulchri, 52

Vitalian, Pope, 62

Vitellozzi, Cardinal, 650

Vitry, Philippe de (later Bishop of Meaux), 248 , 249 , 256 –58, 259 , 261 , 267 , 281 , 286

contratenor addition    and,     298 –99

Landini musical tribute to,  378 ,   384

Machaut’s   legacy  compared    with,    289

on  musica  ficta,   273

notational  innovations of,  262 ,   265 ,   337

works   of

Ars nova,    248 ,   258 ,   273 ,   337

Tribum/Quoniam/MERITO,   256 –58,    258 ,   259 ,   261 ,   337

Tuba    sacre/In    Arboris/VIRGO   SUM,     261 –65,    262 ,   311 ,   337

Vive le roy (Josquin), 563 , 563

vocal music,

Augustine’s reaction    to,  66

ballata as,  364 –74

canzona as,  788 –89

chamber works   as,  539 –40,    542

earliest    written-down    secular,     106

English,     387 –96,    452

Frankish    polyphonic,  44 –47

ground  bass    and,     812

instrumental    accompaniment   to,  131 –33,    296 ,   307 ,   741 –42,    780 –81

Nuove   musiche and,     813 –22

oral    tradition   and,     17 –18,     19

partbooks,   539 –40

printed organ   accompaniment,   781 –82

rhetorical  embellishments  of,  816 –17,    821

sight-singing   and,     47 ,    76 ,    104 ,   617

song    competitions    and,     139 ,   141 ,   208 ,  352–53, 364,    367,    701,    737