An Introduction to America’s Music

CHAPTER 8 | CHARLES IVES 199 musical customs and forms, academic knowledge, and even sound itself. For Ives, the difference betw ...

200 PART 2 | FROM THE CIVIL WAR THROUGH WORLD WAR I date: 1917 performers: Mary Ann Hart, mezzo- soprano; Dennis Helmrich, piano ...

CHAPTER 8 | CHARLES IVES 201 Blessing” and “Sweet By and By”). Love of country and home; devotion to family and to God—these are ...

202 PART 2 | FROM THE CIVIL WAR THROUGH WORLD WAR I K Charles Ives as photographed by W. Eugene Smith around 1947, when he was i ...

CHAPTER 8 | FURTHER READING 203 declining, and its progress would be understood best by people sing- ing, playing, and composing ...

204 PART 2 | FROM THE CIVIL WAR THROUGH WORLD WAR I Horowitz, Joseph. Classical Music in America: A History of Its Rise and Fall ...

205 CHAPTER 9 T he story of folk music in the United States, whether that of American Indians, African Americans, or European Am ...

206 PART 2 | FROM THE CIVIL WAR THROUGH WORLD WAR I AMERICAN INDIAN MUSIC AND ITS COLLECTORS The decades after the Civil War saw ...

CHAPTER 9 | AMERICAN INDIAN MUSIC AND ITS COLLECTORS 207 in neither. Though well intentioned, the Indian boarding schools consti ...

208 PART 2 | FROM THE CIVIL WAR THROUGH WORLD WAR I Second, an oral tradition of music is very different from music as it is pre ...

CHAPTER 9 | AMERICAN INDIAN MUSIC AND ITS COLLECTORS 209 an Ojibwa chief. By 1845 Schoolcraft’s contact with Indians led to a co ...

210 PART 2 | FROM THE CIVIL WAR THROUGH WORLD WAR I Show business Indians, based on famil- iar images, grew more widespread as c ...

CHAPTER 9 | AMERICAN INDIAN MUSIC AND ITS COLLECTORS 211 Fletcher’s work owed much to her collaboration with Francis La Flesche, ...

212 PART 2 | FROM THE CIVIL WAR THROUGH WORLD WAR I One pioneering ethnomusicologist was Frances Densmore, who began recording A ...

CHAPTER 9 | AMERICAN INDIAN MUSIC AND ITS COLLECTORS 213 Frances Densmore Relates How Brave Buffalo Received Healing Power in a ...

214 PART 2 | FROM THE CIVIL WAR THROUGH WORLD WAR I date: ca. 1850 performer: Tatan ka-ohi tika (Brave Buffalo) genre: Teton hea ...

CHAPTER 9 | ANGLO-CELTIC BALLADS AND THEIR COLLECTORS 215 coincide with the pulse of the vocal part—not an unusual rhythmic comp ...

216 PART 2 | FROM THE CIVIL WAR THROUGH WORLD WAR I ditties” (in Benjamin Franklin’s words) had furnished the tunes for new Amer ...

CHAPTER 9 | ANGLO-CELTIC BALLADS AND THEIR COLLECTORS 217 K English folk song collector Cecil Sharp (1859– 1924) paid several vi ...

218 PART 2 | FROM THE CIVIL WAR THROUGH WORLD WAR I The various versions of “The Gypsie Laddie” point up a signal trait of bal- ...