An Introduction to America’s Music
CHAPTER 14 | QUESTIONS FOR DISCUSSION AND REVIEW 359 range of audiences, their music struck a responsive chord, even with listen ...
360 PART 3 | FROM WORLD WAR I THROUGH WORLD WAR II Summarize the role of communications technology in the development of countr ...
361 T he impact of two new technologies on American music early in the twen- tieth century—the phonograph and radio—has been not ...
362 PART 3 | FROM WORLD WAR I THROUGH WORLD WAR II Film accompanists generally played whatever they wished, choosing or improvis ...
CHAPTER 15 | FILM MUSIC 363 Lady Be Good! in 1924). Steiner’s score for King Kong (1933) is an early landmark in sound fi lm: it ...
364 PART 3 | FROM WORLD WAR I THROUGH WORLD WAR II collection of animals down a river. At a time when the industry was changing ...
CHAPTER 15 | FILM MUSIC 365 of dancing (other dance musicals had just as much or more) but for its high quality and the use of d ...
366 PART 3 | FROM WORLD WAR I THROUGH WORLD WAR II timing section text comments 0:00 intro Based on end of chorus’s a section. 0 ...
CHAPTER 15 | FILM MUSIC 367 THE MODERNIST FILM SCORE: COPLAND IN HOLLYWOOD In addition to musicals, other fi lm genres included ...
368 PART 3 | FROM WORLD WAR I THROUGH WORLD WAR II In various writings about movie music in the 1940s, Copland distinguished his ...
CHAPTER 15 | FILM MUSIC 369 date: 1948 performers: New Philharmonia Orchestra; Aaron Copland, conductor genre: fi lm music meter ...
370 PART 3 | FROM WORLD WAR I THROUGH WORLD WAR II melody suggests the atmosphere of simple country living.” The music draws fro ...
CHAPTER 15 | THE BROADWAY MUSICAL THROUGH WORLD WAR II 371 Boulanger—in his 1911 ballet Petrushka. The musical depiction of the ...
372 PART 3 | FROM WORLD WAR I THROUGH WORLD WAR II Rodgers had had a troubled partnership with Hart, whose alcoholism and chaoti ...
CHAPTER 15 | THE BROADWAY MUSICAL THROUGH WORLD WAR II 373 Oklahoma! was also a response to the United States’ involvement in Wo ...
374 PART 3 | FROM WORLD WAR I THROUGH WORLD WAR II timing section text comments 0:00 introduction Four soft string chords help t ...
CHAPTER 15 | JAZZ IN THE SWING ERA 375 Sung in its entirety, “People Will Say We’re in Love” makes musically explicit the main c ...
376 PART 3 | FROM WORLD WAR I THROUGH WORLD WAR II string bass (ubiquitous, now that the tuba has been phased out) tends to “wal ...
CHAPTER 15 | JAZZ IN THE SWING ERA 377 Shortly after Moten’s death and Good- man’s success on the West Coast, Count Basie formed ...
SPOTLIGHT ON HISTORYSPOTLIGHT ON HISTORY Another clarinetist who led a popular white dance band was Artie Shaw, born in New York ...
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