An Introduction to Film
movements and gestures for his actors rather than training their voices. The longer stories of such feature-length films as The ...
“Jeanie with the Light Brown Hair.” A song about remembering the past, perhaps with regret or loss, it is closely associated wit ...
animal. When I finished, there was a hush in the stu- dio. Mr. Griffith finally whispered: “My God, why didn’t you warn me that ...
5 7 9 11 6 8 10 12 LOOKING AT NARRATIVE: JOHN FORD’S STAGECOACH 163 ...
to adjust to the recording equipment, which restricted their movements as well. Eventually, technicians were able to free the ca ...
Ringo’s willingness to risk his life to bring the coach under control as the Apaches attack [9]. the arrival of the cavalry soon ...
careers while creating others, has long fascinated movie fans. And it has been treated with pathos as well as humor in movies ot ...
South their notions of social respectability and sta- tus. Thus, as the film begins in Tonto, they enter the stagecoach in the d ...
Grant. Name and image came first, with acting ability often considered secondary to an actor’s screen pres- ence or aura, physic ...
There is plenty of irony in these changes. At the end of the trip, the pretentious, overbearing Gate- wood becomes the prisoner, ...
LeSueur (also known early in her career in the the- ater as Billie Cassin) went to Hollywood in 1925, MGM decided that her name ...
the culture of violence in towns such as Lordsburg. In the 1930s, when Stagecoachwas made, President Franklin D. Roosevelt singl ...
character—an older stage actress in danger of los- ing roles because of her age—she triumphed in Joseph L. Mankiewicz’s All abou ...
Questions for Review What is the difference between narration and narrator? What are the differences between omniscient and res ...
intense psychological preparation required the actors’ conscious efforts to tap their unconscious selves. On one hand, they had ...
The Limey(1999). Steven Soderbergh, director. The Lives of Others (2006). Florian Henckel von Donnersmarck, director. The Longes ...
known as the Method) encourages actors to speak, move, and gesture not in a traditional stage manner but just as they would in t ...
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the kind of gently ironic distance that Robbins cre- ates in The Player. In Coen’s The Hudsucker Proxy(1994), however, both Robb ...
CHAPTER FIVE Mise-en-Scène Sweeney Todd: The Demon Barber of Fleet Street (2007). Tim Burton, director; Dante Ferretti, producti ...
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