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Chapter 4: Elements of Narrative
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———. The Way Hollywood Tells It: Story and Style in Modern
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Branigan, Edward. Narrative Comprehension and Film. New York:
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———. Point of View in the Cinema: A Theory of Narration and
Subjectivity in Classical Film.New York: Mouton, 1984.
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Fiction and Film. Ithaca, N.Y.: Cornell University Press, 1990.
———. Story and Discourse: Narrative Structure in Fiction and Film.
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Chopra-Gant, Mike. Cinema and History: The Telling of Stories.
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Leitch, Thomas M. What Stories Are: Narrative Theory and
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Scholes, Robert, James Phelan, and Robert Kellogg. The Nature of
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Stam, Robert, Robert Burgoyne, and Sandy Flitterman-Lewis.
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Structuralism, and Beyond. New York: Routledge, 1992.
Thompson, Kristin. Storytelling in the New Hollywood:
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The Screenwriter
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subpage_newsevents.aspx?id=1807.Elements of Narrative
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TransEdit, 1998.Narration and Narrators
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Nichols, Dudley. Stagecoach: A Film by John Ford and Dudley
Nichols. New York: Simon & Schuster, 1971.Chapter 5: Mise-en-Scène
What Is Mise-en-Scène?: Background
and Theory
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Bordwell, David. Figures Traced in Light: On Cinematic Staging.
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———. On the History of Film Style. Cambridge, Mass.: Harvard
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———. “Widescreen Aesthetics and Mise en Scene Criticism.” The
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Brewster, Ben, and Lea Jacobs. Theatre to Cinema: Stage
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Brockett, Oscar G., and Robert R. Findlay. Century of Innovation:
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the Late Nineteenth Century.2nd ed. Boston: Allyn & Bacon,
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Burch, Noël. Theory of Film Practice. Trans. Helen R. Lane.
Princeton: Princeton University Press, 1981.554 FURTHER READING