Moving Images, Understanding Media

Chapter 4 Storytelling with Light 131 there are many diff erent ways in which light-sensitive products react to light. Th e sens ...

132 Moving Images: Making Movies, Understanding Media A fi lm stock that is more sensitive to light is described as faster than ...

Chapter 4 Storytelling with Light 133 Figure 4-13 James Wong Howe shooting a boxing scene from Body and Soul on roller skates. ( ...

134 Moving Images: Making Movies, Understanding Media range of styles, like many successful motion picture photographers. Right ...

Chapter 4 Storytelling with Light 135 all these elements combine to paint the portrait of a brutal daylight attack. In night sce ...

136 Moving Images: Making Movies, Understanding Media actor, which is fi ve feet. You adjust the lens so that everything that is ...

Chapter 4 Storytelling with Light 137 For cinematographers, one of the most important elements of their artistry is the use of s ...

138 Moving Images: Making Movies, Understanding Media When there is a low f-stop, which opens up the aperture of the lens, there ...

Chapter 4 Storytelling with Light 139 Figure 4-20 Still from Touch of Evil, directed by Orson Welles with cinematography by Russ ...

140 Moving Images: Making Movies, Understanding Media that can register with quality photography. Cinematographers can use deep ...

Chapter 4 Storytelling with Light 141 Frank Borzage, characters stand in sharp focus while backgrounds register in less detail, ...

142 Moving Images: Making Movies, Understanding Media the phone in the foreground and a television in the background both clearl ...

Chapter 4 Storytelling with Light 143 we locked the springs and fastened the camera on securely with a few two-by-fours, got it ...

144 Moving Images: Making Movies, Understanding Media Color photography originates from the principles that are observed in the ...

Chapter 4 Storytelling with Light 145 Th ese early uses added some color to black and white moving images, but true color soon b ...

146 Moving Images: Making Movies, Understanding Media However, just as the transition to sound was made very difficult because o ...

Chapter 4 Storytelling with Light 147 Exposing Colors With the introduction of color, cinematographers had to deal with not only ...

148 Moving Images: Making Movies, Understanding Media (in which each of the three primary colors has eight bits of information), ...

Chapter 4 Storytelling with Light 149 to shoot with less light and smaller crews. A number of fi lms and television shows of the ...

150 Moving Images: Making Movies, Understanding Media When optical sound was introduced to fi lm, the width of the image was red ...