Opera

Giles, Peter. The History and Technique of the Counter-Tenor: A Study of the Male High Voice Family.Aldershot, England: Scolar ...

Stephen Spender says that Hockney “translates music into visual images which are themselves musical.” Indexed. Wagner, Manfred. ...

http://www.ebook3000.com ...

XIII. Philosophy and Theory of Opera Philosophy rests on definitions. To define opera has proved troublesome; the concept appear ...

suggested by the situation and the expression.” Music in support of the text, a return to Camerata principles. Quotations from S ...

Hanning, Barbara. “The Influence of Humanist Thought and Italian Renais- sance Poetry on the Formation of Opera.” Ph.D. diss., ...

composers who do best with that articulation (Monteverdi, Purcell, Gluck, Mozart, Verdi, Wagner, Debussy, Berg, and Stravinsky). ...

389.En travesti: Women, Gender Subversion, Opera.Ed. Corinne Blackmer and Patricia Juliana Smith. vi, 381p. NewYork: Columbia U. ...

Cavell, Stanley. A Pitch of Philosophy: Autobiographical Exercises.Cam- bridge, Mass.: Harvard U.P., 1994. xv, 196p. ISBN 0-674 ...

Levarie, Siegmund, and Ernst Levy.Musical Morphology: A Discourse and a Dictionary. Kent, Oh.: Kent State U.P., 1983. x, 344p. ...

the same emotion that is portrayed (we hear a cry of pain; we feel sympathy, not pain). This is “cognitive speech theory” applie ...

Kivy, Peter. The Fine Art of Repetition: Essays in the Philosophy of Music. New York: Cambridge U.P., 1993. x, 373p. ISBN 0-521 ...

mobile.” To understand opera, one must address such ambiguities. To be “real,” songs are heard by others on stage, or form a bas ...

Abbate, Carolyn. “Unsung Voices”: Opera and Musical Narrative in the Nine- teenth Century.Princeton, N.J.: Princeton U.P., 1991 ...

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XIV. Analysis Abbate, Carolyn, and Roger Parker. “On Analyzing Opera.” In Analyzing Opera (#416), 1–24. A valuable review of th ...

“absolute present”—Dargestellten Zeit—opera is not narrative at all. Elegant elucidations are presented for these ideas. 416.Ana ...

XV. Critics and Criticism General Works Goldschmidt, Hugo. Die Musikästhetik des 18. Jahrhundert und ihre Beziehung zu seinen K ...

Haskell, Harry, ed. The Attentive Listener: Three Centuries of Music Criti- cism.Princeton, N.J.: Princeton U.P., 1996. xvii, 3 ...

Klein, Hermann. Thirty Years of Musical Life in London, 1870–1900.New York: Century, 1903. xvii, 483p. ML285.8 .L8 K6. Klein (1 ...