Opera

(Marvins-Underground-K-12) #1

Broyles, Michael. “Stylistic Dualism in Early Beethoven and the Leonore Challenge,” 500
Brück, Paul. “Glucks Orpheus,” 909
Brückner, Fritz. Georg Benda und das deutsche Singspiel, 524
Bruhn, Siglind. The Temptation of Paul Hindemith: “Mathis der Maler” as a Spiritual Tes-
timony, 1054
Brumana, Biancamaria. “Il Tasso e l’opera nel seicento,” 2450
Brundrett, Grant A. “Rameau’s Orchestration,” 1543
Brunel, Pierre. Vincenzo Bellini, 506
Brunelli Bonetti, Bruno. I teatri di Padova dalle origini alla fine del secolo XIX, 2550
Brunner, Herbert. Altes Residenztheater in München, 2405
Brusa, Fillipo. “Il Neronede Arrigo Boito,” 602
Brusey, Phyllis Wilkins. Ring Down the Curtain, 2606
Bruyas, Florian. Histoire de l’operette en France, 1855–1965, 2270
Bryan, Karen McGaha. “An Experiment in Form: The Reform Operas of Saverio Mer-
cadante,” 1187
Bryant, David. “La farsa musicale: Coordinate per la storia di un genere non-genere,” 2579
Brzoska, Matthias. Franz Schrekers Oper “Der Schatzgrüber,” 1643
Buchanan, Herbert H. “A Key to Schoenberg’s Erwartung,” 1627
Buchner, Alexander. Opera v Praze = Opera in Prague, 2205
Buck, Donald C. “Aesthetics, Politics, and Opera in the Vernacular: Madrid, 1737,” 2681
Buckler, Julie A. “Divas in the Drawing Room: Opera as Literature in Pre-Revolutionary
Russia,” 2652
A Budapesti Operaház 100 éve, 2415
Budde, Elmar. “Arnold Schönbergs Monodrama Erwartung: Versuch einer Analyse der
ersten Szene,” 1629
Budden, Julian. “La dissociazione del Leitmotivnelle opere di Puccini,” 1460; “La fortuna
di Bellini in Inghilterra,” 504; “Italy,” 58; The Operas of Verdi, 1830; Verdi, 1823;
“Problems of Analysis in Verdi’s Works,” 1851; “Varianti nei Vespri siciliani,” 1942;
“Wagnerian Tendencies in Italian Opera,” 2472
Budwig, Andrew. “Manuel de Falla’s Atlántida: An Historical and Analytical Study,” 835
Buelow, George J. “The Case for Handel’s Borrowings: The Judgment of Three Centuries,”
976; “An Evaluation of Johann Mattheson’s Opera Cleopatra(Hamburg, 1704),”
1171; “Die schöne und getreue Ariadne(Hamburg, 1691): A Lost Opera by Johann
Georg Conradi Rediscovered,” 710
Burada, Teodor. Istoria teatrului în Moldova, 2633
Burde, Wolfgang. György Ligeti: Eine Monographie, 1114
Burden, Michael. “Purcell Debauch’d: The Dramatick Operas,” 1514
Burdet, Jacques. La musique dans le pays de Vaud sous le régime Bernois (1536–1798),
2697
Burgess, Geoffrey Vernon. “Ritual in the tragédie en musiquefrom Cadmus et Hermione
(1673) to Zoroastre (1749),” 1143
Burian, Jarka. The Scenography of Josef Svoboda, 373;Svoboda: Wagner; Josef Svoboda’s
Scenography for Richard Wagner’s Operas, 374
Burian, Karel Vladimir. Svetová operní divadla, 131
Burney, Charles. An Eighteenth-Century Musical Tour in Central Europe and the Nether-
lands, 61; The Present State of Music in France and Italy, 61; The Present State of Music
in Germany, the Netherlands, and United Provinces, 61; Music, Men and Manners in
France and Italy, 1770, 2236
Burnstein, L. Poundie. “A New View of Tristan: Tonal Unity in the Prelude and Conclusion
to Act I,” 2071
Burrows, Donald, and Martha J. Ronish. A Catalogue of Handel’s Musical Autographs,
944
Burrows, Donald. Handel,960; “Sources, Resources and Handel Studies,” 945
Burt, Nathaniel. “Opera in Arcadia,” 2453
Burton, Deborah. “An Analysis of Puccini’s Tosca: A Heuristic Approach to the Unifying
Elements of the Opera,” 1492; “The Real Scarpia: Historical Sources for Tosca,” 1493;
“Tristan, Tosca (e Torchi),” 1494


566 Opera


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