Opera

(Marvins-Underground-K-12) #1

Carteggio Verdi-Boito, 1816
Carteggio Verdi-Ricordi 1880–1881, 1817
Carteggio Verdi-Ricordi 1882–1885, 1818
Carter, Lee Chandler. “The Progress in The Rake’s Progress,” 1757
Carter, Tim. “Giulio Caccini: New Facts, New Music,” 657; “‘In Love’s Harmonious Con-
sort’? Penelope and the Interpretation of Il ritorno d’Ulisse in patria,” 1252; “Jacopo
Peri,” 1402; “Jacopo Peri (1561–1633): His Life and Works,” 1401; “Jacopo Peri’s
Euridice(1600): A Contextual Study,” 1403; “Mozart, Da Ponte and the Ensemble:
Methods in Progress?” 1268; “Versification,” 216
Casali, Patrick Vincent. “The Pronunciation of Turandot: Puccini’s Last Enigma,” 1508
Casares, Emilio. Francisco Asenjo Barbieri, 476
Caselli, Aldo. Catalogo delle opere liriche pubblicate in Italia, 2425
Casini, Claudio. Giacomo Puccini,1449; “Tre Manon,” 465
Il caso Pergolesi, 1393
Cassidy, Claudia. Lyric Opera of Chicago: Twenty Years, A Pictorial Souvenir, 2773
Caswell, Austin B., ed. Embellished Opera Arias, 360
Catalog of the Opera Collections in the Music Libraries: University of California, Berke-
ley; University of California, Los Angeles, 117
Catalogue of Selected Music-Dramatical Works(Prague: Dilia), 2211

Catalogue of Works of Hector Berlioz, 546
“Cavalleria rusticana,” 1890–1990: Cento anni di un capolavoro, 1162
Cavell, Stanley. A Pitch of Philosophy: Autobiographical Exercises, 393
Cavicchi, Adriano. “Verdi e Solera: Considerazioni sulla collaborazione per Nabucco,”
278
Cecchi, Paolo. “‘Per rendere il soggetto musicabile’: Il percorso fonte-libretto-partitura in
Maria Stuardae in Marino Faliero,” 808
Celletti, Rodolfo. Le grandi voci, 179; A History of Bel Canto, 357; “Origini e sviluppi
della coloratura rossiniana,” 1579; “Lo stile vocale di Verdi e di Wagner,” 1845; Storia
del belcanto,357; “La vocalità di Donizetti,” 780; “Il virtuosismo vocale nel melo-
dramma di Haendel,” 970; “Il vocalismo italiano da Rossini a Donizetti,” 2473;
“Vocalità dell’ opera pucciniana,” 1458; Voce di tenore, 180
Cento anni di vita del Teatro di San Carlo, 1848–1948, 2544
Central Opera Service Bulletin, 149
Central Opera Service, New York. Opera Manual: A Handbook of Practical Operatic
Information, 282
Centro Rossiniano di Studi. Bollettino, 1570a
Cerha, Friedrich. “Some Further Notes on My Realization of Act III of Lulu,” 530
Cerquera, Paulo de Oliveira Castro. Um século de ópera em São Paulo, 2179
Cesari, Gaetano, and Alessandro Luzio. I copialettere di Giuseppe Verdi, 1813
Cessac, Catherine. Marc-Antoine Charpentier, 694
Chafe, Eric. Monteverdi’s Tonal Language, 1214, 1239, 1244
Chailley, Jacques. “La flute enchantée”: Opéra maçonnique, 1335; “The Magic Flute”:
Masonic Opera, 1335
Chancellor, John. Wagner, 1991
Chantavoine, Jean. “Die Operette Don Sanche: Ein verloren geglaubtes Werk Franz
Liszts,” 1117
Chapman, Kenneth G. “Siegfried and Brünnhilde and the Passage of Time in Wagner’s
Ring,” 2045
Charlet, Gérard. L’Opéra Bastille, 2311
Charlton, David. “France,” 58; “Grand Opera,” 58; Grétry and the Growth of “opéra-
comique,” 925; “King Arthur: A Dramatick Opera,” 1529; “Motif and Recollection in
Four Operas of Dalayrac,” 721; “Opéra-comique,” 58; “Opéra-comiqueand the Com-
puter,” 2247; “Orchestra and Chorus at the Comédie-Italien (Opéra-Comique),
1775–1799,” 2320; “The romanceand Its Cognates: Narrative, Irony and vraisem-
blancein Early opéra-comique,” 2261
Chase, Gilbert, and Andrew Budwig. Manuel de Falla: A Bibliography and Research
Guide, 833


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