Opera

(Marvins-Underground-K-12) #1

Filippis, Felice de, and R. Arnese. Cronache del Teatro di S. Carlo (1737–1960), 2547
Filippis, Felice de, and M. Mangini. Il Teatro Nuovo di Napoli, 2548
Filler, Witold. Rendez-vous z warszawskYoperetkY, 2626
Finck, Henry T. Massenet and His Operas, 1167
“Finland,” 2220
Fino, Franco. “Le tre Griselde: Appunti su Goldoni librettista di Vivaldi,” 1952
Finscher, Ludwig. “Orphée et Euridice”: Vorwort und kritischer Bericht, 907
Fioravanti, Roberto. La musica a Prato dal duecento al novecento, 2562
Fiorda Kelly, Alfredo. Cronología de las óperas, dramas líricos, oratorios, himnos, etc.,
cantados en Buenos Aires, 2118
Fisk, Josiah. Composers on Music: Eight Centuries of Writings, 101
Fiske, Roger. “English Opera,” 58; English Theatre Music in the Eighteenth Century, 2707
Flaherty, Gloria. Opera in the Development of German Critical Thought, 2345
Fleischer, Tsippi. “Luigi Cherubini’s Medée (1739): A Study of Its Musical and Dramatic
Style,” 703
Florimo, Francesco. La scuola musicale di Napoli e I suoi convservatorii, 2540
Floros, Constantin. György Ligeti: Jenseits von Avantgarde und Post-Moderne, 1115
Folena, Gianfranco. ll linguaggio della “Serva padrona,” 1396; “Prima le parole, poi la
music: Scipione Maffei poeta per musica e La fida ninfa,” 1952
Fonseca Benevides, Francisco da. O Real Theatro de S. Carlos de Lisboa desde a sua fun-
dação em 1793 até á actualidade, 2629; O Real Theatro de S. Carlos de Lisboa: Memo-
rias, 1883–1902, 2629
Forbes, Anne-Marie. “Motivic Unity in Ralph Vaughan Williams’ Riders to the Sea,” 1795
Ford, Anthony. “Music and Drama in the Operas of Giovanni Bononcini,” 603
Forlani, Maria Giovanna. Teatro Municipale di Piacenza (1804–1984), 2560
Forsyth, Karen. “Ariadne auf Naxos” by Hugo von Hofmannsthal and Richard Strauss, 1713
Forte, Allen. “The Mask of Tonality: Alban Berg’s Symphonic Epilogue to Wozzeck,” 529
Fortune, Nigel. “Italian 17th-Century Singing,” 362
Foster, Donald. Jean-Philippe Rameau: A Guide to Research, 1535
Fragapane, Paolo. Spontini, 1680
Frajese, Vittorio. Dal Costanzi all’Opera, 2572
Fran Sveagaldrar till Reliken: Svenska musikdramatiska verk 1890–1975, 2691
Franklin, Peter R. “Distant Sounds—Fallen Music: Der ferne Klangas a ‘Woman’s
Opera,’” 1641; The Idea of Music: Schoenberg and Others, 412; “Style, Structure and
Taste: Three Aspects of the Problem of Franz Schreker,” 1640
Franz Schreker Symposium, 1639
Frassoni, Edilio. Due secoli di lirica a Genova, 2504
Freeman, Robert S. “Apostolo Zeno’s Reform of the Libretto,” 279; Opera without
Drama: Currents of Change in Italian Opera, 1675 to 1725, 2432
Freitag, Wolfgang. Amadeus and Company: Mozart im Film, 1261
French Opera in the 17th and 18th Centuries, 2224
Frese, Christhard. Dramaturgie des grossen Opern Giacomo Meyerbeer, 1191
Freydank, Ruth. Theater in Berlin von den Anfängen bis 1945, 2359
Freyhan, Michael. “Toward the Original Text of Mozart’s Die Zauberflöte,” 1334
Fricke, Dietmar. “Molière et Lully: Une symbiose artistique sans suite?” 1127; “Réception
de l’opéra-comique de Nicolas Dalayrac en Allemagne: Le cas des Deus petits savo-
yards,” 719
Friedman, Martin. Hockney Paints the Stage, 370
Friedrich, Götz. Wagner-Regie, 301
Fuhrich, Edda, and Gisela Prossnitz. Die Salzburger Festspiele: Ihre Geschichte in Daten,
Zeitzeugnissen und Bildern, 2164
Fulcher, Jane F. The Nation’s Image: French Grand Opera As Politics and Politicized Art,
2271
Fuld, James J. Book of World-Famous Libretti: The Musical Theater from 1598 to Today,
216
Fulle, Gerlinde. Modest Mussorgskijs “Boris Godunov” : Geschichte und Werk, Fassun-
gen und Theaterpraxis, 1350


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